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KAZIMIR MALEVICH: 1878-1935. This sweeping retrospective shows off all phases of Malevich's avant-garde artistic career, from his abstract suprematist masterpieces to styles as diverse as neoprimitivism and cubo-futurism. At the National Gallery of Art, Washington, through...

Author: /time Magazine | Title: Critics' Voices: Sep. 24, 1990 | 9/24/1990 | See Source »

...Always among the avant-garde, many grad students say Harvard's usual beginning-of-the-year cocktail parties are now abandoning the traditional for the trendy...

Author: By Jeffrey C. Wu, | Title: At Some Trendy Schmoozes, Creme de Cassis Has Replaced The Most Venerable Sherry | 9/12/1990 | See Source »

...ideologically determined the "revolutionary" view of 20th century art has been. One of the pernicious illusions about modernism lies in treating it as a continuous struggle against the past, as though every real artist were his own Oedipus. In fact, the house of inspiration is much larger than avant-gardist rhetoric has ever allowed. The great transformers of art history, like Picasso or Matisse, were also its great conservators. The idea that one tradition was killed stone-dead in 1907, when Picasso painted Les Demoiselles d'Avignon, and that another was born from the act, is nonsense. Perhaps there...

Author: /time Magazine | Title: Art: Modernism's Neglected Side | 8/13/1990 | See Source »

JESUS OF MONTREAL. An avant-garde theater troupe performs its own radical updating of the Passion play. Now, shouldn't a film with that story enrage a few conservative zealots? Alas, Denys Arcand's French-Canadian satire is so solemn that it is not worth patronizing -- or even picketing...

Author: /time Magazine | Title: Critics' Voices: Jul. 9, 1990 | 7/9/1990 | See Source »

...been riven for months by a controversy over federal funding for a photo show that includes nine erotic pieces, governments in East and West Germany collectively spend up to $1.5 billion a year to underwrite theaters that can be shrill, confrontational, even arguably obscene, but also aggressively intellectual, exactingly avant-garde -- and, frequently, breathtakingly good. That may be why German playgoers applaud works that would send spectators elsewhere hurtling toward the exits...

Author: /time Magazine | Title: Germany: The Power to Shock | 7/9/1990 | See Source »

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