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...black. The performers all act as ably as they sing, notably Michael Ball as the doomed boyish hero who ages into embittered manhood, Ann Crumb as the woman with whom everyone falls in love but who loves herself more than any of them, Kathleen Rowe McAllen as a pansexual avant-garde sculptor, and Kevin Colson, an eleventh-hour replacement for Roger Moore as an urbane older man much valued for his money...

Author: /time Magazine | Title: Theater: A Trio of Triumphs in London | 7/3/1989 | See Source »

...nude children in erotic poses, a man urinating into another's mouth, and other violent and homosexually explicit poses. When some of the work was exhibited at New York's Whitney Museum last summer, there were averted eyes, even among those who make a career out of being avant-garde and supersophisticated...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 7/3/1989 | See Source »

...evidence, consider the Kronos concert at Manhattan's Alice Tully Hall last month. It was a multimedia program, arranged by the avant-garde Italian stage designer Alessandro Moruzzi, titled "Assembly Required." Dressed in unisex costumes of jet-black shirts and slacks, the four musicians walked onto a stage jumbled with speakers, tape equipment and an assortment of lights and mechanical gears. Before each of the scheduled four works, played without intermission, the Kronos members, in stately, choreographed movements, placed the lights and objects to cast different shadow forms on four screens set up behind their chairs. The program typically offered...

Author: /time Magazine | Title: Music: Fanatic Champions of the New | 6/26/1989 | See Source »

...that hangs behind the lavender blobs of pigment in Sacrifice Decision, 1981, one sees traces of the surrealist ideas that had formed Pollock -- an openness to the kind of unsought private image that was generally barred from color-field painting. Frankenthaler disliked programs and was not a self-conscious avant-gardist...

Author: /time Magazine | Title: Art: A Love of Spontaneous Gesture | 6/12/1989 | See Source »

Earth Girls is a movie that takes its cues from sources as disparate as The Wizard of Oz and Chantal Akerman's avant-garde French musical The '80s. But everything blends neatly in the witty, zippy script; everybody has a good time. Davis, a living windup doll, plays Everygal to Goldblum as he exercises his ingratiating leer. Carrey (a randy mime) and Wayans (with his turbo terpsichore) give unearthly pleasure. So does Earth Girls, the tastiest thing to come out of a space program since Tang...

Author: /time Magazine | Title: Cinema: A Tasty Hi-Cal Pop-Tart to Go | 5/15/1989 | See Source »

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