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...Veteran Avant-Gardist Brant, 65, has long believed space is as important an element in composition as pitch or time values. In such works as Prevailing Winds (1974), for woodwind quintet, or the orchestral piece Antiphony One (1963), which requires five conductors, he deployed musicians all over the boxes, balconies and aisles of the hall instead of clustering them solely onstage. Greater complexity and expressiveness are his aim. "It's easier on the nervous system to have the music spaced," he says, "because you don't get it in a compact blast-you get it fragmented from different...

Author: /time Magazine | Title: Music: Dem Bones | 3/5/1979 | See Source »

...star of Narratives, Irene Worth, delivers a thoroughly engaging performance; she has already demonstrated her prediliction for avant-grade work in her earlier award-winning performances, Tiny Alice and Sweet Bird of Youth. Confined to one position on the stage, Worth must rely on her gestures, facial expressions and suggestively resonant voice to shift deftly from little girl t accusing lover and back again...

Author: By Ken Wise, | Title: Talking Instruments | 2/13/1979 | See Source »

DIED. Victoria Ocampo, 88, Argentina's "Queen of Letters" for nearly half a century; in Buenos Aires. Educated in Europe, Ocampo in 1931 founded Sur, an avant-garde Spanish literary magazine that introduced to her countrymen such established foreign authors as Shaw, Faulkner, Sartre and Camus as well...

Author: /time Magazine | Title: Milestones, Feb. 12, 1979 | 2/12/1979 | See Source »

...Project's content varied from vaudeville revivals to avant-garde experimentation, its sources from Eugene O'Neill and George Bernard Shaw to undiscovered playwrights, its performers from an aging generation whose formative experiences were in tent shows, travelling troupes, and vaudeville theaters to an energetic new generation that would dominate American entertainment for years to come, a crew that included Orson Welles and John Houseman, Will Geer and John Huston, E.G. Marshall and Joseph Cotton...

Author: By Cliff Sloan, | Title: Uncle Sam's Theater | 1/9/1979 | See Source »

...Nazi Germany, trying to start a splinter fascist party in America. This failed, and in 1940 Johnson entered architecture school. He had backed into the profession as a critic, but in the process he had helped bring Mies van der Rohe to America and fought bravely to shift avant-garde taste in the direction of the same Utopian machine culture he would delight in poking fun at 40 years later. During his long association with the International Style, he built some of its canonical late buildings, notably his own glass house on his estate at New Canaan (1959) and, with...

Author: /time Magazine | Title: Architecture: The Maverick Designer | 1/8/1979 | See Source »

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