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...also embarked on a risky task: rescuing art that had been proscribed by the Stalinist regime. Although Stalin died in 1953, the fear that his rule instilled in his subjects lived long after him, and there was every chance that Savitsky - with his burgeoning collection of abstract and avant-garde pieces by the likes of Popova and Redko - would be denounced as a counterrevolutionary. He had to proceed with extreme discretion, but over time Savitsky amassed more than 50,000 pieces of Gulag-era art, tracking them down in hiding places all over the Soviet Union and smuggling them...

Author: /time Magazine | Title: Desert Flower | 11/12/2006 | See Source »

...with seven new tunes (by George Stiles and Anthony Drewe), which blend in seamlessly--in some cases, even better than that, since they're more integral to character and plot, like Mary's sprightly, perfectly apropos opening number, Practically Perfect. The show strikes a nice balance between stage dazzle--avant-garde choreographer Matthew Bourne brings statues to life and defies gravity in more ways than one--and dramatic heft with a script (by Gosford Park screenwriter Julian Fellowes) that goes beyond the movie, adding material from other Travers stories...

Author: /time Magazine | Title: The Battle For Broadway: Poppins vs. Dylan Plus Grey Gardens and Spring Awakening | 11/5/2006 | See Source »

...relieved when Suleiman, who also teaches Literature and Arts C-55, “Surrealism: Avant-Garde Art and Politics Between the Wars,” laughs and says “of course” in response to my question about whether she knows of “The Colbert Report.” I press onward...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: All Eyes on Surrealism | 11/2/2006 | See Source »

Panic sets in. “Where will I wake up to the sweet strains of neo-avant death-pop-core?” you ask. “Where am I going to find somebody who looks like a homeless person to make my coffee...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: HOTSPOT: 1369 Coffehouse | 11/2/2006 | See Source »

...manner of the moment, American Scene realism. Grant Wood's farm folk and Thomas Hart Benton's small-town cuties were fine, if you didn't care about what painting could be. Although Picasso never set foot on American soil, in the intense conclaves of this would-be American avant-garde, his example hung in the air like the moon, out of reach but never out of sight. And the question he always seemed to pose for them was not what to make of what he was doing, although that could be puzzling enough, but what more to make...

Author: /time Magazine | Title: Picasso's Progeny | 10/9/2006 | See Source »

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