Word: avante
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Dates: during 1980-1989
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...evidence, consider the Kronos concert at Manhattan's Alice Tully Hall last month. It was a multimedia program, arranged by the avant-garde Italian stage designer Alessandro Moruzzi, titled "Assembly Required." Dressed in unisex costumes of jet-black shirts and slacks, the four musicians walked onto a stage jumbled with speakers, tape equipment and an assortment of lights and mechanical gears. Before each of the scheduled four works, played without intermission, the Kronos members, in stately, choreographed movements, placed the lights and objects to cast different shadow forms on four screens set up behind their chairs. The program typically offered...
...that hangs behind the lavender blobs of pigment in Sacrifice Decision, 1981, one sees traces of the surrealist ideas that had formed Pollock -- an openness to the kind of unsought private image that was generally barred from color-field painting. Frankenthaler disliked programs and was not a self-conscious avant-gardist...
Earth Girls is a movie that takes its cues from sources as disparate as The Wizard of Oz and Chantal Akerman's avant-garde French musical The '80s. But everything blends neatly in the witty, zippy script; everybody has a good time. Davis, a living windup doll, plays Everygal to Goldblum as he exercises his ingratiating leer. Carrey (a randy mime) and Wayans (with his turbo terpsichore) give unearthly pleasure. So does Earth Girls, the tastiest thing to come out of a space program since Tang...
...Benton's is a curious case because, despite all the hollering he and his admirers produced about down-home values and art for the common man, he was no kind of naif. He had studied in Paris before World War I and was closely tied to the expatriate avant-garde there, especially Stanton Macdonald-Wright, whose "synchromist" abstractions were among the most advanced experiments being done by any American painter. In New York in the early '20s, Benton dressed (as one of his friends would remark) like "the antithesis of everything American," and had a peripheral relationship to Alfred Stieglitz...
Mikhulskaya and Fillipova are emerging leaders in the avant-garde underworld of Soviet fashion design. They labor over sewing machines in cramped apartments shared by husbands and children; every drawer is crammed with fabric, zippers and buttons scrounged up in state stores and weekend flea markets. Thanks to their sardonic use of hallowed Soviet symbols, the two women cannot be members of the Society of Soviet Designers, and their styles are not bought by Dom Modeli, the state fashion center...