Word: avante
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Dates: during 1980-1989
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...many perceive as jet-set elitism. Although they have always solicited work from any member of the Harvard community. Advocate editors have sometimes seemed like what editor Chris Caldwell '83 calls a "collection of cocaine snorting, cavalier, callous glitterati." As an arts magazine, the Advocate has appelned to the avant garde in some people, and thus scared others away...
...King. The man was, after all, a rock star with long hair, into drugs, who once posed naked for an album cover and painted yellow flowers on his Rolls Royce. How easy it is to forget the impact Lennon and his Beatles cohorts had on popular and also avant-garden culture, an impact that transcended nations and people. When Lennon claimed in the mid-1960's that the Beatles were "bigger than Jesus," he wasn't boasting: it was the truth...
...slightly bug-eyed stare, shock of unruly hair and his jeans and work shirts, he is the very picture of the bohemian composer, admirably captured in a huge portrait, Phil, by Artist Chuck Close that hangs in New York's Whitney Museum. Glass's adventurous collaboration with avant-garde Dramatist Robert Wilson resulted in Einstein on the Beach, an experimental five-hour "opera" that played to packed houses in Europe and twice sold out the Metropolitan Opera House in New York City. Satyagraha, a more conventional work based on an episode from the life of Gandhi, is perhaps...
...center of the wide-screen frame. The trouble was that anything or anyone on the sides of the frame was ignominiously deleted. Actors would be dropped from a scene, dialogue would get turned into mystifying soliloquies, and mainstream commercial movies like Advise and Consent would be transformed into weird avant-garde exercises in which the disembodied voices of actors floated from opposite sides of the picture as the camera focused on a table between them. Other solutions, like cutting from the right side of a frame to the left within what was originally one shot, were so dislocating that they...
...obvious reason's, the challenge is not confronted all that often. The few companies that tackle it usually resort either to theater-as-carnival-spectacle (bolstering the endless wordplay with sight gags, the traditional devices with slapstick), to avant-grade-extremism, or to massive cutting. The summer loebies have tried a little of all three, but director Gregg Lachow applies the experimentation with a temperate hand. His greatest accomplishment is leaving the staging simple enough so that the occasional striking line has room to breathe, and the play's fascinating structure emerges from its weight of words. In so doing...