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...acting chair of the comparative literature department also saw two of her courses welcomed into the new curriculum. Susan R. Suleiman’s “French 132b. 20th-Century French Fiction II: The Experimental Mode” and Literature & Arts C-55: “Surrealism: Avant-Garde Art and Politics between the Wars” were approved for the Aesthetic and Interpretive Understanding category. English professor Helen Vendler’s class, Literature and Arts A-22: “Poems, Poets, Poetry,” will also count toward Aesthetic and Interpretive Understanding. History professor Charles...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Gen Ed Approves Thirteen | 5/22/2008 | See Source »

Born in Port Arthur, Texas, Rauschenberg, now 80, arrived in New York by way of Black Mountain College in North Carolina, the training ground of the '50s avant-garde, where he had befriended the composer John Cage. Cage's ideas about chance and randomness fascinated Rauschenberg, who began scavenging the streets of New York for junk to incorporate into works like Satellite, in which a stuffed pheasant presides atop a canvas patchworked with fabric and photo images and covered with washes of paint...

Author: /time Magazine | Title: Art: The Misfits | 5/13/2008 | See Source »

...Many of the painters in Philip’s court were of Flemish or Italian origin and the ways in which they blend styles illustrates the transition from regionalism to a more unified national style. The last room in the exhibit features still-life paintings, an “avant-garde” movement in Spanish art that began toward the end of Philip’s reign. “Bodegón” paintings depicting scenes of everyday life were the first of their kind to show inanimate objects such as flowers and vegetables as independent subjects...

Author: By Claire J. Saffitz, CRIMSON STAFF WRITER | Title: Sketches of Spain: El Greco at the MFA | 4/25/2008 | See Source »

...These banal everyday film recordings have something special to me,” he said. “They always ask a lot of questions: who, why, what, where?...Amateur film, to me, uses the language of ancient film, of Eisenstein, Griffith, of the great American avant-garde filmmakers of the 1920s and 30s.” The filmmaker is fascinated not just by history but also by this sense of how film and images communicate meaning to an audience. “Wittgenstein Tractatus,” Forgács’s tribute to Austrian philosopher Ludwig Wittgenstein...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Forgács Shows Human Side of Violent History | 4/17/2008 | See Source »

...Avant Gardeners: More Photos

Author: /time Magazine | Title: Improbable Gardens | 4/16/2008 | See Source »

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