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...UNLIKELIEST OF SYMPHONIC success stories. The composer: a little- known Polish avant-gardist named Henryk Gorecki. The music: his Symphony No. 3, subtitled Symphony of Sorrowful Songs -- a transcendental meditation on mortality and redemption for orchestra and soprano. In three slow, slow, very slow movements lasting nearly an hour, it speaks of bleak despair yet sings of sublime hope. Against all odds, this deeply felt, quasi-liturgical piece -- composed 17 years ago but newly recorded -- is captivating a huge public on both sides of the Atlantic, far bigger than most serious compositions ever reach...

Author: /time Magazine | Title: Top of The Pops: A Symphony? | 3/8/1993 | See Source »

...former boy)-next-door, whether she's singing a hymn at the altar, snorting a line of coke or vaulting over a bar counter. Banderas (of "Mambo Kings" and "Truth or Dare") is hilarious as the appealingly deranged fan, and Poncelas convincingly portrays the oddly down-to-earth avant-garde director...

Author: By David S. Kurnick, | Title: Pedro Almodovar Offers A Funny, Flaming 'Desire' | 2/25/1993 | See Source »

...anything like one: it leaves out Lam's youth and age and concentrates only on his middle years, especially those spent in Cuba. Its object is to sketch the kind of relations Lam set up between his Afro-Cuban heritage, the work of other Cuban artists, and the avant-gardes (the word still meant something in the '40s) of Paris and New ) York. Its catalog, with essays by Kinshasha Holman Conwill, Lowery Stokes Sims and others, does a fine job of explicating the roots and routes of this border crosser's life...

Author: /time Magazine | Title: Taking Back His Own Gods | 2/22/1993 | See Source »

...wasn't by any means the only Latin American painter to make a mark in the Manhattan avant-garde of the '40s, but to see his place one needs to remember that the New York School of the '40s was not the exclusive pantheon of half a dozen Abstract Expressionist heroes that later critics and dealers made it seem. It was open and eclectic, perfused with Surrealist influence and much more curious about other cultures -- particularly those of Latin America -- than it would be 25 years later. Lam had a strong common interest with American painters who became his friends...

Author: /time Magazine | Title: Taking Back His Own Gods | 2/22/1993 | See Source »

...painter who mixed the Caribbean and the avant-garde...

Author: /time Magazine | Title: Time Magazine Contents Page | 2/22/1993 | See Source »

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