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...sometimes sounds like a Jungian therapist ("I get clients to explore their fantasies"). He lives in neither of the two U.S. Architect Belts (Boston-New York- Philadelphia, Los Angeles-San Diego), but in plain, out-of-the-way Albuquerque. His work is not strictly modernist or postmodernist, classical or avant-garde; the pigeonholes do not apply. Predock, a self-described "cosmic modernist" who senses the "emanations" of a particular building site and says only half jokingly that he "would rather talk about UFOs than Palladio," is nevertheless creating a remarkable body of work -- tough and sensual, fabulously imagined, altogether persuasive...

Author: /time Magazine | Title: Design: An Architect for the New Age | 4/11/1988 | See Source »

...learning about the Ecole de Paris, the Japanese visitors were facing severe odds. Nothing in their culture had prepared them for the Western modernist ethos. They came from a world enlaced with traditional forms, in which the idea of an avant-garde was barely conceivable and the notion of radical renewal seemed like cultural parricide. Terms like expression and the self had quite different loadings in Paris and in Tokyo. The rapid change of styles in Paris -- fauvism, cubism, expressionism, surrealism -- was bewildering. But they seemed portents of cultural renewal; so even with Japanese who were painfully aware that their...

Author: /time Magazine | Title: Art: Japanese with A French Accent | 1/25/1988 | See Source »

...college in the nation has a student center. Why? The same reason almost every other college has exams before Christmas: it's a good idea. Harvard may be at the cutting edge of Ukrainian literature, but when it comes to student life, this place is not part of the avant-garde...

Author: By Mitchell A. Orenstein, | Title: Clubbed to Death | 1/6/1988 | See Source »

...MAHABHARATA A 9 1/2-hour adaptation by Peter Brook, elder statesman of the avant-garde, of the great Hindu antiwar epic. Inevitable longueurs and some uncertain English from a polyglot cast, but spellbinding ritual and visual metaphor...

Author: /time Magazine | Title: Theater: Best of '87: Theater | 1/4/1988 | See Source »

...Majestic Theater of the Brooklyn Academy of Music is puckish too, but in a different way. An abandoned turn-of-the-century beaux arts vaudeville hall, it has been transformed into a performance space (and folly) in which Avant- Garde Director Peter Brook could present his 9 1/2-hour epic, The Mahabharata. The firm of Hardy Holzman Pfeiffer Associates has implanted modern plumbing and electrical systems but otherwise has maintained the look of desuetude: chipped plaster and peeling paint, exposed beams and brickwork. The Piranesianism is a bit coy, maybe, but more affecting than much standard spic- and-span preservation...

Author: /time Magazine | Title: Design: Echoes of The Past, Visions for the Present | 1/4/1988 | See Source »

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