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...fairness, the ART helps students see shows, avant-garde directors, and great actors," says Chad H. Raphael '88, who has performed in both student and ART productions. But "there are far too many people in the Loeb, between the ART, the Institute, and the undergraduates," he adds. "Harvard has to do more building. I think since the ART has gotten here there has been an inevitable squeezing out of students...

Author: By Michael A. Levitt, | Title: Teaching the ART of Acting | 12/10/1987 | See Source »

...from them. Seen from our distance, that of a pornocratic culture drenched in genital imagery, the skill with which he did this might seem almost quaint. But in Demuth's day, the public atmosphere was, of course, very different, and he, like Marcel Duchamp and other artists in the avant- garde circle that formed around the collectors Louise and Walter Arensberg, took a special delight in sowing his work with sexual hints. The handlebar of a vaudeville trick rider's bicycle turns into a penis aimed at his crotch; sailors dance with girls in a cabaret but ogle one another...

Author: /time Magazine | Title: Art: Charles Demuth amid the Silos | 12/7/1987 | See Source »

...next mentor was Avant-Garde Composer Milton Babbitt. Sondheim, straight out of Williams, talked Babbitt into taking him on as a private pupil in structure and theory. He paid with money from a fellowship and stretched the funds by living in bohemian disorder in his father's dining room. Next he tried to break into show business. A few painful years of struggle -- scraping up auditions that led to more auditions, writing and rewriting a show that never got staged because the producer died, going out to Hollywood to write scripts for the TV sitcom Topper -- ended in triumph when...

Author: /time Magazine | Title: Stephen Sondheim: Master of the Musical | 12/7/1987 | See Source »

CINDY SHERMAN, 33, belongs to a new American avant-grade which emphasizes content, narrative and ideas while exploring the effect of the visual image on the self and on culture. Sherman herself has attracted international attention for her provocative and grotesque photographs, most of which she appears in. Yet Sherman's photographs, which will be on display at the Institute of Contemporary Art (ICA) through January 17, cannot be called self-portraits, for the artist uses make-up, costumes and wigs to create different characters, different personae in each piece...

Author: NO WRITER ATTRIBUTED | Title: A Developing Talent | 11/25/1987 | See Source »

...three hours, Burn This is too long and digressive, but as staged by Marshall W. Mason and a splendid young cast, it wins laughter in even its unnerving moments. If the narrative is indebted to the mainstream past, the tone has a more avant-garde echo of Sam Shepard -- a border skirmish between knockabout farce and knockdown violence. Yet Playwright Lanford Wilson manages to integrate well-crafted gags, mostly for the surviving gay roommate (Lou Liberatore). He describes his friend's gaudy casket as looking "like a giant Spode soup tureen." He says to the choreographer (Joan Allen) about...

Author: /time Magazine | Title: Theater: Skirmishing Along the Borders BURN THIS | 10/26/1987 | See Source »

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