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...Glass Ensemble performed at the Festival d'Automne in Paris, which was run by Michel Guy, a French aristocrat fascinated by the New York avant-garde. Appointed Secretary of State for Culture the next year, Guy later commissioned Einstein on the Beach, which had its premiere in July 1976 after a year of rehearsals. The unconventional Einstein was a near pantomime set to Wilson's typically elliptical spoken texts and allusive stage pictures of railroad trains and spaceships. There were no formal arias or indeed any set pieces at all; a small chorus sang "One, two, three, four, five...

Author: /time Magazine | Title: Music: Making a Joyful Noise | 6/3/1985 | See Source »

...loader, a crane operator in a steel mill, a furniture mover and a plumber, all the while pursuing his real vocation: composer. Glass, however, was not hoping to make a big score with a pop song or a Broadway show. Rather, he was that least salable commodity, a revolutionary avant- gardist...

Author: /time Magazine | Title: Music: Making a Joyful Noise | 6/3/1985 | See Source »

...purpose of art is to reflect and illuminate the spirit of its age, then New York City's avant-garde scene in the '60s and early '70s was a worthy expression of a tumultuous time. Huddled together in a few low-rent blocks of lower Manhattan, a remarkable band of visual artists, theatrical innovators, dancers and composers, loosely allied in their rejection of both traditionalism and a previous generation's idea of radicalism, supported and inspired one another in what was then a lonely pursuit. "The collaborative element of those years was crucial," remembers Composer Philip Glass. "I mean...

Author: /time Magazine | Title: Music: New York, When It Sizzled | 6/3/1985 | See Source »

...Nelson's good friend, novelist-screenwriter Shrake, the script freely betrays a real family and its affection for the musicians and the on-the-road-again way of life. Songwriter gives a taste of Austin, spirited style and music, along with a playful, rambunctious storyline. It is an avant-garde film of seething social commentary, Songwriter offers an example of smooth-talking Texan optimism...

Author: NO WRITER ATTRIBUTED | Title: Down-Home Sleaze | 5/6/1985 | See Source »

...seriously; they have crossed the hairline between vaudeville and violence. Such is the danger of performance art, as dadaist Comic Andy Kaufman used to prove when he would wrestle women on TV. Was that supposed to be funny, or what? Now the W.W.F. is upstaging the show-biz avant-garde with its cable talk show, Tuesday Night Titans, in which the guest wrestlers chat with McMahon, sing a song, belt each other and eat furniture and live chickens. So is wrestling a sport, or what? Mostly, it's what...

Author: /time Magazine | Title: Show Business: Hype! Hell Raising! Hulk Hogan! | 4/15/1985 | See Source »

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