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...other Beatles were not delighted to have Ono around. Besides whatever personal antagonisms or random jealousies might have existed, one suspects now, Paul, George and Ringo may have considered her dedicated avant-gardism somewhat inimical to the best popular instincts of their music. For her part, she felt she was under heavy surveillance. "I sort of went to bed with this guy that I liked and suddenly the next morning I see these three in-laws standing there," she recalled recently. John, separated from Cynthia, fell in love with Yoko and her ideas. Some of her conceptual...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...glamour of New York City, the couple spent much time there in the years from 1950 to 1954. His interest was music, and he frequented the concert halls. Her interest was art, and she spent her evenings in The Club in Greenwich Village and other haunts of the then avant-garde New York School of painting. At the nearby Cedar Bar, Jackson Pollock caroused, Robert Motherwell discoursed, Willem de Kooning waxed disputatious. Her hair was blond, her figure svelte, her age happily indeterminate (actually mid-30s) and her artistic commitment impeccable. She was on their wave length. Franz Kline...

Author: /time Magazine | Title: Art: Muriel's $12 Million Sublimation | 12/22/1980 | See Source »

...were to apply the Big Bang theory to art, the explosion could be said to have occurred during World Wars I and II. Avant-gardism-aggressive, impish, savage and wildly varied-still resounds throughout European and American culture. Jean-Luc Daval's Avant-Garde Art 1914-1939, (Skira-Rizzoli; 223 pages; $85) is a sequel to the author's Modern Art 1884-1914: The Decisive Years. The new work's 75 color reproductions and 270 black-and-white pictures have been chosen to illustrate Daval's brisk chronological text. By dividing his subject into 89 bite...

Author: /time Magazine | Title: Books: Readings of the Season | 12/8/1980 | See Source »

...funny that the middle-aging actress Arkadina (Rosemary Harris) is desperately clinging to Trigorin as her last lover, and is so hermetically narcissistic that she contributes to the destruction of her son, the avant-garde writer Konstantin (Brent Spiner)? Is it funny that Konstantin loves Nina, who regards him as a nuisance? Or that he, in turn, is loved by the vodka-swigging Masha (Pamela Payton-Wright), whom he detests...

Author: /time Magazine | Title: Theater: Quartet | 11/24/1980 | See Source »

...contact with Europe was of immense importance to this strictly raised, diffident, beanpole son of a dry-goods storekeeper from Nyack, N.Y. Paris formed his work and gave him the confidence to deal with his specifically American motifs. By no stretch of the imagination could Hopper be called an avant-gardist. Not a canvas in the Whitney's show suggests the influence of cubism, let alone abstract art, although one might be able to detect some remote Fauve echo-perhaps through Albert Marquet, whose work he saw in Paris-in Hopper's fondness for relieving a low-toned...

Author: /time Magazine | Title: Art: The Realist at the Frontiers | 10/6/1980 | See Source »

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