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...avant-garde of the litigant spirit that is most unsettling. If one can blame the Government for a lightning strike and a corporation for a wind gust, it is easy to imagine tracking almost any mishap to some distant agency. Should owners of property on which there is a public passageway prohibit barefoot pedestrians or else assume liability for every stubbed toe? Must the manufacturer of a knife clearly label it as dangerous or else be vulnerable to damages for a kitchen worker's sliced finger? Could the designer of a dam be blamed if a voluntary swimmer drowned...

Author: /time Magazine | Title: Time Essay: Of Hazards, Risks and Culprits | 8/28/1978 | See Source »

...three other capitals of modernist culture: New York, Berlin and Moscow. The project made a lame start with the Paris-New York show in 1977, a patchy curatorial bungle. It finds its feet with this exhibition. The theme is large: nothing less than the whole panorama of the German avant-garde in its most spiritual, subversive or idealist aspects, from the time of Kaiser Wilhelm II to that of Adolf Hitler. It embraces film, photog- raphy, architecture, industrial design and printing, as well as sculpture and painting, and it covers an extraordinary ferment of ideas and images. In short...

Author: /time Magazine | Title: Art: Along the Paris-Berlin Axis | 8/14/1978 | See Source »

...tradition, which almost totally dominates German painting," Grosz wrote to a friend as the first World War was ending. "We have to finish with these weary painters of sentiment and vagueness, Cezanne, Picasso and the rest." Certainly, for the first 20 years of the century, the current between the avant-garde of the two capitals ran only from Paris to Berlin. As the German art historian Werner Spies remarks in the catalogue to "Paris-Berlin," the visits made by Henri Matisse or Robert Delaunay to Germany were "marked by a condescending paternalism," in contrast to the tentative and supplicatory visits...

Author: /time Magazine | Title: Art: Along the Paris-Berlin Axis | 8/14/1978 | See Source »

...There are hundreds of black Gospel singers in churches around here where one can go for beautiful Gospel style," he said. "In the Shawmut area there are juke boxes with Syrian music, and right here at Harvard there are some brilliant composers of avant garde...any differing styles of music will do," he added...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

...There are hundreds of black Gospel singers in churches around here where one can go for beautiful Gospel style," he said. "In the Shawmut area there are juke boxes with Syrian music, and right here at Harvard there are some brilliant composers of avant garde...any differing styles of music will do," he added...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

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