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...inhabitants! This sense of spirited theater is what New England Dinosaur intends to rekindle Saturday and Sunday nights at First Congregational Church, Cambridge. The event begins at 6 p.m. with dance works by Toby Armour, founder of the Boston troupe, Jean Churchill, its current director, and New York avant-gardists Trisha Brown and James Waring; a play, "Gutta Dance", follows. A dinner break is promised (about an hour, long enough for a picnic in or a dash out), and so is rousing camaraderie...

Author: By Susan A. Manning, | Title: Dance | 5/6/1976 | See Source »

With the departure of A.B. Spellman, lecturer in Afro-American Studies, the Afro department has no one on its faculty knowledgeable in Afro-American musical biography or the development of the black musical avant garde. Many schools throughout the nation see these musical and historical aspects of jazz as subjects for academic scrutiny...

Author: NO WRITER ATTRIBUTED | Title: The Need For Jazz Instruction | 5/5/1976 | See Source »

...FIRST, Tango seems to be just another avant-garde play with a gimmick. In this case the cute twist is a generation-gap role-reversal. The older members of the family are non-conformists and the young son is a traditionalist. By the time act one comes to a close, the audience feels as if it's being hit over the head with this witty, bizarre, but tediously predictable pattern...

Author: By Jon Alter, | Title: Tails and Short Pants | 4/24/1976 | See Source »

...Domecq is the pure incarnation of the middleman between a world gone culturally haywire and the uncomprehending mass of mankind. His function: telling people why they should admire nonsense. This inept critic is a figure of Chaplinesque pathos: a tastemaker totally lacking in taste, a perpetual target of the avant-garde's custard pies...

Author: /time Magazine | Title: Books: Bloodless Coup | 3/29/1976 | See Source »

...ESSAY titled "An Analysis of Trio A," Yvonne Rainier, an avant-garde choreographer of the early sixties, points out ways in which recent dance resembles minimalist sculpture, the latter an art "simple, clear, direct, and immediate" in the words of one critic. Rainier almost could be referring specifically to Chassler's language: indeterminate structure decided at the time of performance; neutral performance, the dancer rejecting character and pose; task-like rather than dance-like activity; phrasing in terms of consistent levels of energy. Whether Chassler consciously follows the avant-garde tradition described by Rainier, I don't know...

Author: By Susan A. Manning, | Title: Lines Almost Spoken | 3/18/1976 | See Source »

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