Word: avedon
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This is the imaginary tract that Richard Avedon has now populated. Over a five-year period, at the behest of the Amon Carter Museum in Fort Worth, Avedon took hundreds of portraits throughout the West. Using an eight-by-ten view camera on a tripod, he photographed people at rodeos in Montana, oil fields in Oklahoma and a "rattlesnake roundup" in Texas. He picked more than 100 of those shots for a traveling exhibition titled "In the American West," which began at the Amon Carter earlier this year and has now opened at the Corcoran Gallery in Washington. A condensed...
Many of the people in these pictures do hard physical labor, working in mines, on ranches and in slaughterhouses. Some have tumbled into the abyss: prisoners, mental patients or that hapless segment that Avedon labels simply as "drifter." All of them, from secretaries to millworkers, live in a very different West from the pristine territories of the landscape photographers. Theirs is a place of trials and disappointments, and their faces specify every cent of the cost...
...underwear pitches have now been joined by a kinky perfume campaign. The print spot, shot by Photographer Bruce Weber, shows three apparently naked men coiled around a similarly unclad woman, all bathed in an inky blue tint. Four 30-second TV spots debuted last week. Filmed by Photographer Richard Avedon and Cinematographer Nestor Almendros (Days of Heaven, Kramer vs. Kramer), they show four people--a young man, an older man, a boy and a woman--all "obsessed" with the same woman. Has Klein finally gone too far? "I don't think they're offensive," says the fashion master...
Each of them was the Marilyn Monroe of her day, so Photographer Richard Avedon was assigned to shoot the real Marilyn posing as Theda Bara, Clara Bow, Marlene Dietrich, Jean Harlow and Lillian Russell for a 1958 spread in LIFE. Later, Avedon mislaid the negatives. Then, last December, as he was unpacking books in the library of his new home at Montauk, N.Y., out plopped the photos. He was not so fond of the Dietrich on second viewing, but the four others still charmed him, and he is issuing them as posters at $100 a set ($200 signed). The pictures...
Murphy is enjoying the fruits of success: a Jaguar and a Porsche, an extravagant leather wardrobe, mountains of jewelry. (Says Richard Tienken, who, with Robert Wachs, owns the Comic Strip and manages Murphy's career: "He's the only comedian who dresses like a rock star.") Richard Avedon has photographed Eddie for the cover of Rolling Stone; in its September issue, Playgirl will proclaim him one of the ten sexiest men in America; he has thunderstormed his family and friends with costly gifts. But not even Sir Derrick of the Round Table can fend off the demands...