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Fashion freaks will soon see her in some fancy Vogue photographs by Richard Avedon. TV viewers, however, will catch Actress Deborah Raffin with her hair down and plastered top-to-toe in Mississippi mud. Raffin's dive was all for the sake of Nightmare in Badham County, a TV movie in which she plays a prison-farm escapee on the run through the swamps. Raffin, 23, who last starred in a Hollywood turkey overgenerously titled Once Is Not Enough, says the gooey assignment was "the best role" she had ever been offered: "It gave me a chance, I hope...

Author: /time Magazine | Title: People, Sep. 13, 1976 | 9/13/1976 | See Source »

...worst of these little biographies cannot detract from these fine portraits of our finest women. The final page of Life's "Remarkable Women," an Avedon shot of Marian Anderson, is worth the two dollar price alone. A handsome woman of talent and strength sings to the camera, her thick black hair flying in the wind, her nose flaring in effort, her eyes closed in ecstasy. And that is all you need to know...

Author: NO WRITER ATTRIBUTED | Title: Why Lucille Ball? | 8/13/1976 | See Source »

...addition, several of TIME's 1975 covers have already been honored. Art Directions magazine singled out Jim Sharpe's painting of Chou En-lai (Feb. 3) and Richard Avedon's photograph of Cher (March 17). It also cited the editorial design of TIME's special 1776 issue. Art Director David Merrill was honored by The One Show, published by the Art Directors Club, for his design of a 1974 cover on Middle East massacres...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 3, 1975 | 11/3/1975 | See Source »

This show is not Avedon under full throttle. It is in black and white only (although in his advertising and fashion work he is a master of color). The multi-image strips from the Manhattan Project Co.'s play Alice in Wonderland that greet visitors at the gallery entrance are mostly weak pictures. And Avedon, one of the keen observers of the sexual revolution in America, only toys with what he could have said on the subject...

Author: /time Magazine | Title: Art: Visual Mayhem | 9/22/1975 | See Source »

Despite such reservations, the new, mature Avedon seen in this show remains extraordinary. One of his colleagues once said that Avedon was the white mechanical rabbit that all other photographers tried to catch but never did. The rabbit is out on the track again, and he is still ahead of the rest of the field. John Durniak

Author: /time Magazine | Title: Art: Visual Mayhem | 9/22/1975 | See Source »

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