Word: avignon
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Dates: during 1960-1969
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...later years, his youthful infatuation with the flamboyant Fauves embarrassed him as a childish excess. In 1908 Braque was drawn to fragment his vision in the manner that became known as Cubism, after seeing Picasso's panorama of naked prostitutes, Les Demoiselles d'Avignon. Their fractured postures impelled Braque to a further dissection of nature. He and Picasso, working together, began turning out canvases so similar that in later years they could not recall which of them had painted what. In 1912 Braque invented the paper collage, in which scraps of newsprint and ticket stubs were glued onto...
...15th century. At that time, the Hundred Years' War was still raging, and Europe had yet to recover from the ravages of the plague. The Holy Roman Empire was hardly still an empire, and the church was grievously split between a Pope in Rome and another at Avignon. It was, in short, a time of disunity and violence-the very opposite of much...
Last week, Lucienne Salan, weakened by a heart ailment, was released, allowed to go to a convent of her own choice, near Avignon. Against her had been lodged only the minor civil charge of using a false identity card. Her husband remains in Cell 57 of Sante Prison, preparing to go on trial for his life next week. His request to subpoena President de Gaulle and ex-Presidents Rene Coty and Vincent Auriol among 39 defense witnesses has been refused. But he has been granted use of an electric razor to shave off the mustache he was wearing...
...Carcassonne (through July 15). Behind its formidable walls, the fortress city offers a program formidable, meeting the competitive challenge of the nearby Avignon festival with Goldoni and Aristophanes, Romeo and Juliet, Emmanuel Roblès' Montserrat, a presentation in the original Provençal of Frédéric Mistral's poem Calendau, and a production called A Meeting with Vincent Van Gogh in Aries, based on the painter's correspondence with his brother Theo...
...still be followed, but at each cut the film jerks ahead with a syncopated impatience that aptly suggests and stresses the compulsive pace of the hero's doomward drive. More subtly, the trick also distorts, rearranges, relativizes time-much as Picasso manipulated space in Les Demoiselles d'Avignon. All meaningful continuity is bewildered; the hero lives, like the animal he is, from second to second, kill to kill. A nasty brute. Godard has sent him to hell in style...