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...center of this Vicksburg-on-Avon, Troilus himself was a Confederate lieutenant, and his faithless little old Cressida's motto seemed to be: More scarlet than thou, O'Hara. Pandarus oleoed between the lovers, with slicked-down hair and a Burgundy dressing gown, and made his last exit carrying a carpetbag. "As I worked on the play," explains Stratford Director Jack Landau, "it became clear to me that the division was not one country against another, one part of society against another. It's a culture divided against itself-in effect, a civil...

Author: /time Magazine | Title: The Straw Hat: Vicksburg-on-Avon | 8/4/1961 | See Source »

...seemed to cascade through their Downing Street drawing room, Sir Anthony Eden, 64, renewed by his recent peerage (TIME, July 14), was no longer afraid to go near the water. Honoring the bard-blessed stream that runs through his longtime Warwickshire constituency, the ex-Prime Minister selected "Earl of Avon" as his new title. To his son Nicholas, 30, will go a courtesy designation. Viscount of Royal Leamington Spa, to commemorate a last resort that has inspired more dowagers than iambs...

Author: /time Magazine | Title: People: Jul. 21, 1961 | 7/21/1961 | See Source »

Single & Happy. Perhaps influenced by the fact that she was born only seven miles from Stratford-on-Avon, Miss Hewitt was stage-struck all her life, but considered herself too plain-looking for acting. "She looked like Churchill," said an old friend, "and when she got mad, like Queen Mary." Quitting the theatrical fringe of London in 1892, Miss Hewitt sailed for America to tutor the children of a Tuxedo Park family and then to teach small groups of children who met in socialite New York apartments. She started Miss Hewitt's Classes in 1920, backed by loans (soon...

Author: /time Magazine | Title: Education: As If She Were a Governess | 7/7/1961 | See Source »

Finney has two seasons at Stratford-on-Avon already behind him. As Olivier's understudy there, he went into Coriolanus when Sir Laurence went out with a slipped knee cartilage, carried off the part with a brilliant blend of boisterousness and truculence. Since then, he has been a wild Teddy Boy in The Lily White Boys, a suitably complex Oedipus in a BBC production of Jean Cocteau's The Infernal Machine, and a robust and lyric Romeo in a Caedmon recording of Romeo and Juliet (with Claire Bloom), scheduled for U.S. release soon. But throughout Britain...

Author: /time Magazine | Title: New Faces: The First Finney | 2/24/1961 | See Source »

...Until you get bawdry, you won't get lyricism. Until you get lyricism, you won't get live theater." See SHOW BUSINESS, Strasberg-on-Avon...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 31, 1960 | 10/31/1960 | See Source »

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