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Posters in the U.S. have rarely achieved the artistry that was common in Europe in the days when Toulouse-Lautrec limned Jane Avril. Promoters too often preferred to slap uninspired or badly lettered placards on walls and fences. But in the past six years, U.S. art lovers have become accustomed to seeing the works of Robert Indiana, Roy Lichtenstein, Richard Lindner and Ben Shahn on posters boosting concerts, festivals and even the presidential campaign. Many of the best were inspired by a Connecticut grandmother and art collector named Vera List...

Author: /time Magazine | Title: Graphics: Keeping Posted | 8/16/1968 | See Source »

Posters have been used to promote everything from Jane Avril to Zanzibar, but Pop Artist Robert Rauschenberg, 42, believes that salesmanship begins at home. A new 17-ft. by 4½-ft. Rauschenberg poster at Manhattan's Whitney Museum advertises the artist himself. Entitled Autobiography, the gaudy billboard includes a life history in telegraphese, his horoscope, and a skeletal portrait of himself composed from 13 X rays. With the backing of a group headed by Poster-Art Enthusiast Marion Javits, wife of the U.S. Senator, 2,000 copies of the work will be reproduced and sold to hard-core...

Author: /time Magazine | Title: People: Feb. 2, 1968 | 2/2/1968 | See Source »

Lilies-Water, Tiger, Calla. The style had its origins in pre-Raphaelite painting, flourished in Toulouse-Lautrec's famous posters of Jane Avril, and was murdered by the cold cubism of Weimar's Bauhaus. Now it seems oldfashioned, yet it marked a rebellion against the fussy, historically eclectic aspects of Victorian art. It found its forms in nature: the lily (water, tiger and calla), clinging vines, leaves of all kinds, jellyfish, polyps-a whole botanical garden of gentle, curving shapes...

Author: /time Magazine | Title: Styles: New Look at Art Nouveau | 8/21/1964 | See Source »

Wild Beasts. Braque always remembered watching, when he was a youth, as a poster of Toulouse-Lautrec's Jane Avril was slapped on a nearby wall. Before the paste could dry, Braque peeled off the poster and tacked it up in his bedroom. At the age of 18, he was apprenticed to a decorator in Paris, feasted on the impressionists then in vogue, and began painting in the style of the coloristic Fauves, the "wild beasts...

Author: /time Magazine | Title: Art: At the Cubist Root | 9/13/1963 | See Source »

...works on view came from widely scattered members of the artist's family, and almost half of them have never before been seen by the public. Though Lautrec's Parisian period-the era of the raffish La Goulue. Valentin the Boneless, and high-kicking Jane Avril-was largely responsible for his fame, it is apparent that his childhood on the family estate in southern France shaped his destiny. The show in Rennes is a warmhearted family album of portraits and sketches of the people and things that surrounded the crippled painter after he fell off a chair...

Author: /time Magazine | Title: Art: La Plume de Mon Oncle | 2/22/1963 | See Source »

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