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...Antonioni - a slender, handsome fellow who in his prime, as Woody Allen will attest, was a killer ping-pong player - didn't enjoy the brand recognition that Bergman did. But in several ways his influence was even greater. His L'Avventura (1960), which sets up a mystery it never resolves, quickly became a rallying cry and furious debating point for serious film lovers. La Notte (1961), Eclipse (1962) and Red Desert (1964) cemented Antonioni's reputation as an anatomizer of malaise and a supreme picture-maker. Blowup (1966), his first full-length English-language film, was a sensation...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...presenting legendary Italian director Michelangelo Antonioni with a Lifetime Achievement Oscar in 1995, Jack Nicholson said that in silence, the director "found metaphors that illuminate the silent places in our hearts." In films like Blow-Up, L'Avventura and La Notte, Antonioni captured inner lives of alienation and angst with long, lingering takes and a paucity of dialogue and action. Critics hailed him as the "hero of the highbrows." But average moviegoers were so confused they once reputedly chased him at the Cannes Film Festival, demanding plot explanations. Antonioni was content with his brainy reputation--and his lack of mass...

Author: /time Magazine | Title: Milestones Aug. 13, 2007 | 8/2/2007 | See Source »

...Shooting his new film in Spain, Allen took time out to talk with me about Bergman. We began by remarking on the death, the same day as Bergman's, of Michelangelo Antonioni - the Italian director of L'Avventura, Eclipse, Blowup and The Passenger, and another prime depicter of modern alienation...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...born here?Well, technically most of it came from European and Asian directors like Jean Renoir (“Grand Illusion”), Federico Fellini (“La Strada,” “8 1/2”), Michelangelo Antonioni (“L’Avventura,” “Blowup”), Ingmar Bergman (“The Seventh Seal”), and Akira Kurosawa (“Rashomon”) in the middle third of the 20th century.But without Janus Films, a distribution company based at the Brattle Theater, these artistes...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: THE MCCOLUMN: Films Worth Mulling Over | 11/16/2006 | See Source »

...list that follows is not a selection of the greatest films of all time. That list would have to include a number of titles, like Vertigo, Citizen Kane and 2001, that are not Criterion. It's not even a list of the greatest films, like L'Avventura and Jules and Jim, that are in Criterion's inventory. This is a list of the best Criterion releases considered as imaginative products and, if you will, public services - the discs that have the most beautifully cleaned up prints, the most desirable extras, the most illuminating commentary tracks...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

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