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Pity the poor BAFTAs. For a moment there, it looked like the annual awards of the British Academy of Film and Television Arts were going to be the only celebration of film that mattered this season. The U.S. writers' strike had already reduced the Golden Globes to a glorified checklist, and as long as negotiations were a standoff, the Oscars were no sure thing, either. Yes, the Screen Actors Guild awards had gone ahead as planned, but that doesn't resonate much beyond U.S. borders: a SAG award gets you back pats from showbiz pals, but it won't sell...

Author: /time Magazine | Title: British Oscars: Worthy But No Wow | 2/11/2008 | See Source »

...Hopkins, Kate Hudson, Ridley Scott, Ian McKellen - just not enough of them. After the first three rows, the faces became unfamiliar. Many of the high-profile nominees - George, Cate, Tommy Lee - were no-shows, and it quickly became clear that many famous attendees were there either to present an award or pick one up. Everybody had a job to do; nobody had just come for the party...

Author: /time Magazine | Title: British Oscars: Worthy But No Wow | 2/11/2008 | See Source »

...threat”–dancer, actress, model. The former ballerina broke it down to “Sandstorm,” showed her acting chops by wooing an elephant in Afrikaans, and struck runway poses wearing a huge fake nose. Satisfied with her talents, the hosts finally awarded Theron the Pudding Pot—the prize normally given each Woman of the Year—which contained a slip of paper with a phone number. Borrowing a cell phone from someone in the front row, she called the number, and a stagehand emerged from behind the curtains. Theron...

Author: By Chelsea L. Shover, CRIMSON STAFF WRITER | Title: Pudding Parade Honors Theron | 2/8/2008 | See Source »

...called and told me that the Lampoon wanted to give me an award,” Hilton said. “I was flattered. I love Boston and I think it’s going...

Author: By Sue Lin and Arianna Markel, CRIMSON STAFF WRITERS | Title: Paris Nets ’Poon Award | 2/7/2008 | See Source »

Over the last three months, the film and television writers’ strike has caused shorter seasons for shows, forced networks to program even more reality TV, and left thousands of writers seeking improved conditions. One of its more unexpected effects may be in the Harvard classroom. This semester, award-winning television writer and producer Jeffrey D. Melvoin ’75 is bringing over 25 years of experience in the entertainment industry to Cambridge. Melvoin’s new course, Dramatic Arts 37, “The Craft of Storytelling on Stage, Television, and Screen,” will...

Author: By Edward F. Coleman, CONTRIBUTING WRITER | Title: Visiting Prof. Teaches Screenwriting Class | 2/7/2008 | See Source »

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