Word: awarders
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Matthew Bourne is the world's most popular living dance maker. Every night of the year, in some twilit city, the curtain goes up on one of his shows. On his tempestuous, mostly male Swan Lake, the longest-running dance production in London's history and a triple Tony Award winner on Broadway. On The Car Man, his steamy spot-welding of Carmen and The Postman Always Rings Twice. On his bittersweet Nutcracker or his funny, touching Edward Scissorhands...
...part of the eighth Chekhov International Theater Festival. The seventh festival, in 2007, hosted Bourne's Swan Lake; the sixth, in 2005, featured his Play Without Words. "You can't imagine how popular Matthew is," says Galina Kolosova, coordinator of the festival. Play Without Words, which won an Olivier award following its run at London's National Theatre in 2003, is an adaptation of Joseph Losey's 1963 film The Servant. A witty, psychosexual drama set in an upper-class London household, it features several dancers in each of the lead roles - a daring piece of staging that captivated...
...politicians who accused him of planning to auction off the land for a quick buck has abated. "This is just the kind of project that Montenegro needs," says Rade Ratkovic, a professor at the Faculty for Tourism, Hospitality and Trade Management in the port city of Bar. "We should award him a title: Count Munk of Tivat...
...discovered Torres Strait Islander artist and dancer Alick Tipoti. Through his award-winning black-and-white linocut prints, Tipoti has translated designs traditionally carved on dance apparatus and drums to museum walls in Washington and Dusseldorf. The three festivals he's attended have introduced him to a wider network of artistic influence. "We are the most western part of the Pacific, which is tied together through traditional designs," says the Thursday Island-born artist, who has traced Torres Strait motifs back to the New Zealand Maori via "the Solomon Islands, Palau and across to Hawaii...
...Australian delegation's Wesley Enoch, an award-winning theater director (Stolen, Riverland), preservation must always go hand in hand with progress. The delegation he selected for the festival - from Freshwater, a women's a capella group who seek to reclaim languages through song, to Doonooch, a drug and alcohol rehabilitation group using traditional dance - reflect his theme of "Welcoming the New Day." "In Indigenous Australia there's a whole lot of contemporary manifestations of culture that we want to look at," Enoch says. "It's not just about cultural maintenance but about cultural evolution...