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Josh Ozersky is a James Beard Award-winning food writer and the author of The Hamburger: A History. You can listen to his weekly show at the Heritage Radio Network and read his column on home cooking at Rachael Ray's website. He is currently at work on a biography of Colonel Sanders...

Author: /time Magazine | Title: Rachael Ray in Praise of Burgers and Our Culinary Tastes | 3/2/2010 | See Source »

Year after year, the award categories are populated with consistent archetypes: the underdog, the obvious filler, the perhaps-not-particularly-deserving-this-year-but-boy-is-it-about-time-she-won-already. The winner selection process, intrinsically tainted by Academy politics, is anything but quantitative—statistically, even the most impulsive civilian guesser is likely to make at least one correct prediction. This lends a satisfying, authoritative feel to one’s preferences regarding, for instance, Meryl Streep—who should be given an Oscar every year, by default, just to thank her for being Meryl Streep?...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

...best recent example of this is “Food, Inc.,” which was nominated along with “The Cove” for an Academy Award for Best Documentary. Although the film somehow garnered a 97% rating on Rotten Tomatoes, its condemnation of the food industry is muddled and insubstantial despite its superb art direction...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Quick Flix's Documentaries Reveal Inconvenient Truths | 3/2/2010 | See Source »

...What does a producer do? My answer: Everything,” said Mynette A. Louie ’97, the producer of the award-winning film “Children of Invention,” at a dinner event on February 25 in the Dunster Junior Common Room. The event was the first in a new series designed to expose Harvard students to alumni who have gone on to become successful in the arts...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Film Producer Discusses Career Over Dinner | 3/2/2010 | See Source »

...each other ever since they premiered at last May's Cannes Film Festival, where The White Ribbon took first prize and A Prophet came in second. Haneke's picture is high-brow caviar, while Audiard's is more a crowd pleaser. On Saturday, The White Ribbon won the top award from the American Society of Cinematographers, beating Avatar, The Hurt Locker, Inglourious Basterds and Nine and solidifying its chances to win the Oscar in this category. Ah, but a week ago, at the British Academy of Film and Television Arts Awards, A Prophet beat The White Ribbon for Best Film...

Author: /time Magazine | Title: Box Office: Shutter Island Tops the Cops and the Crazies | 2/28/2010 | See Source »

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