Word: awe
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Dates: during 1990-1999
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...technology-loving--and in some cases, perhaps, technology-worshipping--futurists, such words smack of 1st millennium thinking in the face of 3rd millennium faith. They tend to see in the Internet something larger than themselves, an entity so much greater than the sum of its parts as to inspire awe and wonder. "People see the Net as a new metaphor for God," says Sherry Turkel, a professor of the sociology of science at M.I.T. The Internet, she says, exists as a world of its own, distinct from earthly reality, crafted by humans but now growing out of human control...
...performance that makes the movie, Watson is as dominating as Falconetti was playing Joan of Arc. Watson works her eyes and lips coquettishly, tirelessly, with an ardor rarely seen since Lillian Gish and the other white roses of the silents. She goes pop-eyed with awe at her beau's manhood; every word she speaks is an open-mouthed kiss. She acts volcanically, as any heart does when it pumps with love. She is pure emotion, naked, shameless, unmediated by discretion. These aren't attitudes of passion; this is the genuine article, take it or leave it. Even with...
...Earth. Well, the Captain will not abandon ship. He will face up to the Borg, he says. "And I will make them pay for what they've done." As Patrick Stewart delivers this line with a majestic ferocity worthy of a Royal Shakespeare Company alumnus, the audience gapes in awe at a special effect more imposing than any ILM digital doodle. Here is real acting! In a Star Trek film! From the successor to William Shatner...
...wildly allusive wordplay, David Helfgott natters compulsively, cheerfully, to himself. Popular cinema loves head cases, especially when their condition is as endearing as David's. Because he was once a pianist of great promise, and because his is a true story, Helfgott is an ideal vessel for the awe and pity of the middle-class moviegoer in search of an elevating experience. Shine, an entertaining, way-too-canny Australian film written by Jan Sardi and directed by Scott Hicks, encourages a kind of emotional slumming--upward...
Handshakes, public and private, carried more symbolism than usual during the 36-hour Middle East summit at the White House last week. Each of the leaders taking part in the meeting and most of the millions watching it held in their mind an image of that awe-inspiring 1993 handshake on the South Lawn. Now, however, Yasser Arafat was face to face with Benjamin Netanyahu, the head of a very different Israeli government, and most onlookers hoped the magic of a handshake might cast another spell. In the closing moments outside the White House on Wednesday, Netanyahu grasped Arafat...