Word: awe
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...over and done with, Osborn straddles the only issue he raises--is the Wall Street rat race worth it? Weston's friend, Littlefield, drops out only to land gloriously as a Yale Law School professor, and Weston and Newton, although they leave Bass and Marshall, still seem in awe of the grand old head of the firm, Cosmo Bass, and are fairly well indoctrinated, if somewhat rambunctious...
...live with the inherent risks it does not so cheerfully accept. A completely risk-free society would be a dead society. In today's increasingly risk-shy atmosphere, the public may tend to exaggerate some of the dangers at hand. Indeed, it may be swinging from too much awe of the "miracles" of science and technology to excessive skepticism about them. In reality, the public has always wanted to lean on the experts- until they have failed, or seemed...
What Thomas does is extraordinarily rare. It is hard enough to explain specialized scientific findings to scientists in other fields, and harder still to get it right and still hold the attention of untutored novices. Add touches of poetry, joyful optimism and an awe-inspired mysticism, and the job becomes impossible. Except that the impossible, like so many of the natural phenomena that Thomas describes, happens...
Though in awe of his heroes, Judson is not blind to their egomanias and foibles. Watson is "markedly bright and never accustomed to hide the fact." Linus Pauling, a fount of chemical wis dom and occasional foolishness, has "un quenchable self-confidence." Biochemist Erwin Chargaff, bypassed by the DNA revolution, is "the man of mordant dissent." But in the main, the author is content to take the role of acolyte, bombarding his gifted tutors with questions, some incisive, others pointedly rhetorical. As Judson plays student to Nobel Laureates Crick and Perutz, so does the reader, who, if patient enough...
King Kong, Carefully paced, often gripping, this thriller-fantasy set the style for most of the giant monster movies to come. Special-effects designer Willis O'Brien's giant ape was the source of awe and terror--even the camera froze on him while he did his stuff. To movie-goers of 1933, O'Brien's small moth-eaten model--which had to be moved ever-so slightly and filmed for a fraction of a second at a time--was a revelation, the ultimate fantasy. If Kong appears jerky and slightly ridiculous to us, it must have seemed...