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...took great liberties with his solo section, quadruple-timing figures in a way that seemed impossible on such a cumber-some instrument. Throughout it all, the bassist made it look effortless, never belying the technical hurdles he had to overcome in order to play such difficult intervals in such awkward positions. McBride was very much in a groove--toward the end of his solo, Redman interjected with a few notes, as if to indicate it was his turn. Through it all, the musicians were cheering each other on, yelling encouragement and flashing grins at each other...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Joshua Redman Trio Electrifies Crowd | 10/24/1997 | See Source »

Jennifer Jason Leigh is perfectly cast in Agnieszka Holland's adaptation of Henry James's novel. An awkward young woman starved for affection is caught between a cynical, distant father and a spirited but selfish young suitor. Holland's camera work and sense of period is engaging throughout, and her trademark comic acuity leavens the somber arc of the story. Eventually, though, Leigh asserts herself just long enough to break your heart. Like its heroine, the film misses true magnificence, but its intelligent cast and sensitive storytelling are more than enough to recommend...

Author: By Nick K. Davis, | Title: Washington Square | 10/24/1997 | See Source »

...make things worse, by the early 90s Intel had begun to turn a lucrative profit on the so-called motherboard chipset that supported the CPU. Manufacturers had to build bulky, awkward system boards to house Intel's CPU and its separate input-output chips...

Author: By Kevin S. Davis, | Title: Lower Costs Mean More Computers | 10/21/1997 | See Source »

Linden is not an exceptionally mobile quarterback, and when the pocket has broken down, Linden has looked awkward and more often than not, goes down with the ball...

Author: By Zachary T. Ball, CRIMSON STAFF WRITER | Title: Harvard Delivers Offensive Barrage | 10/20/1997 | See Source »

Take, for example, Jennifer Jason Leigh's performance as Catherine Sloper, the shy and awkward young woman whose wealth Townsend is stalking. Does she really have to keep dropping objects and walking into walls to prove her social and physical ineptitude? And what about Albert Finney as her father, at once contemptuous and overprotective of her? He's a constantly rumbling volcano ever on the verge of eruption. One keeps recalling, much to Finney's disadvantage, the icier malevolence of Ralph Richardson in the earlier movie. On the other hand, Maggie Smith's Aunt Penny, more in love with Morris...

Author: /time Magazine | Title: CINEMA: MISPLACED AFFECTIONS | 10/20/1997 | See Source »

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