Word: awkwardness
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Dates: during 1930-1939
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These are fair samples of what the Russian historian of 1937 is up against in the way of awkward facts dating from the Revolution. The able correspondent Arno Dosch-Fleurot, who long served the New York World, was on the spot in Russia during the Revolution and has written: "While the faces of many individuals in the rush of events remain in my memory, I cannot remember even having seen Kamenev, Zinoviev or Stalin then. Later they and lots of people blossomed out, but in the days of 'do or die' there was just one big figure-TROTSKY...
...Patton. To this, as a supplement, is added Professor Frickey's mimeographed "Notes and Problems", beyond a doubt one of the most readable and helpful sources in elementary statistics. They, however, are still no more than a glorified explanation of an inadequate text; and the confusion arising from the awkward necessity of having to consult two texts, neither one of which is complete, is indeed a ridiculous situation...
...ludicrous role of the attractive young woman who sneaks into the stodgy hero's room at night to hear him read Tennyson and makes a pretty direct plea for his affections. But Francesea Lenni as Fulton's daughter, the center and cause of most of his troubles, is singularly awkward and amateurish in the rendition of most of her lines...
...plot, sadly enough, as before said, takes life seriously. It is a portrayal of Franz Shubert's hopeless passion for a beautiful young daughter of an Austrian jeweler. Shubert, a shy and awkward lover, finds a vent for his love in his songs to the fair Mitzi, but their new-found romance is nipped in the bud by a hapless misunderstanding. Mitzi then showers all of her warm affection upon a gay young blade, one Baron Schober, and Shubert, unable to finish his symphony for which she was the inspiration, pines away in heroic devotion. Comic honors go without...
This began the strangest director-star relationship in the history of U. S. cinema. In a few months was brought about the transformation of Mrs. Sieber. From an awkward, frail girl, visibly awed by the new world into which fate had thrust her, she became the purveyor of calculated glamour, icy and generous by turns, distant, temperamental, mysterious. Part of this was the result of coaching by von Sternberg, part of it the changes in her own ego wrought by the amazing publicity campaign organized for her by Paramount. Before Morocco, her next picture, was released Hollywood gazed astonished...