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...horse" with two laser guns, or the skull-faced figure of Skeletor, the spirit of evil, driving a circular "assault vehicle" equipped with rotating blades to slash the enemy. Should more conventional arms be needed, a handy Weapons Pak is available containing two miniature plastic pistols, a sword, an ax and a whip...

Author: /time Magazine | Title: Video: A He-Man for All Seasons | 1/7/1985 | See Source »

...developments [of the Egyptian inquiry], and we remain calm." One French official, referring to the arrest of the Libyan assassination team, down-played the Egyptian sting. Said he: "Don't you think that Mubarak is using the affair for his own ends? He has a special ax of his own to grind with Libya...

Author: /time Magazine | Title: Libya: The Doublecross and the Hit Hoax | 12/3/1984 | See Source »

BRAHMS: Piano Concerto No. 1 (Pianist Emanuel Ax, Chicago Symphony Orchestra, James Levine, conductor; RCA). The culmination of Brahms' early style, the D minor concerto began life as a sonata for two pianos; ever the perfectionist, Brahms transformed it into a symphony before finally discovering that what the music really wanted to be was a piano concerto. This rawboned yet ardently romantic piece gets a grand reading from Ax and Levine. But they never get so concerned with profundity that they forget that it is, after all, the work of a 25-year-old still finding his way. Particularly...

Author: /time Magazine | Title: Music: Obscure Bits and Greatest Hits | 9/17/1984 | See Source »

...activist who last September joined forces with New York Republican Whitney North Seymour Jr., a former U.S. Attorney, to form the nonpartisan "citizens against PACS." The group's goal is to pressure Congress into eliminating the corporate, labor union and special-interest PACs that make what Stern calls "ax-to-grind" contributions to candidates. Says he: "We want to make it uncomfortable for Congress to continue accepting PAC money...

Author: /time Magazine | Title: Taking an Ax to the PACs | 8/20/1984 | See Source »

Bresson, a technician of metaphysics, is fascinated by the machinery of injustice. Everything from a bank's cash dispenser to the French legal system to a finely honed ax is considered for its practical application. Nothing works, except for Bresson's own favorite machine, the movie camera; like Yvon, it refuses to counterfeit obeisance to a society motivated by its own corruption. Bresson, too, regards humanity with the ferocious passivity of a stone lion on some abandoned antique isle. At 76 he has made his most serene and terrifying film to date, one that strikes at its target...

Author: /time Magazine | Title: Cinema: The Spring Collection from Paris | 4/16/1984 | See Source »

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