Search Details

Word: ay (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Cuban counter-revolutionaries can erthrow the Castro regime without p from the United States, Manolo ay declared last night at the Winthrop ouse Forum...

Author: By Rudolf V. Ganz jr., | Title: Cuban Rebel Chief Says Underground Can Depose Castro Without U.S. Aid | 5/4/1961 | See Source »

...ay cited numerous examples of how tro's government is falling to carry successful economic reforms and is losing the support of the orginial revolutionaries. Since the industries were nationalized, he said, production has been thrown into chaos, and the standard of living is once again going down. Ray maintained that the industries should be returned to their former owners, though with tight controls to prevent monopolies...

Author: By Rudolf V. Ganz jr., | Title: Cuban Rebel Chief Says Underground Can Depose Castro Without U.S. Aid | 5/4/1961 | See Source »

Anyone who passed the Center's ance on West 34th Street last ay evening might have thought another such radical gathering taking place. Hundreds of pla- waving young men, women, teenagers milled around the s, while a squad of New York's strian finest diligently tried to order. Across the street a ller group marched sullenly up down with a different set of : the inevitable counter-de-stration...

Author: By Clark Woodroe, | Title: Conservative Rally Quaint But Successful | 3/10/1961 | See Source »

...like that?" he asks. "A nice place they found for God-the handle of a deadly weapon. Are you going to deny it? God was the end and they turned him into the means-a handle. And the dagger was the means and became the end. They changed places. Ay-ay-ay! And where are God and the dagger now? Among the eternal snows, both of them...

Author: /time Magazine | Title: Books: Socialist Surrealism | 10/3/1960 | See Source »

...wears some. When Toby says, "Let's have a catch it is ridiculous for Andrew to comment, "By my troth, the fool has an excellent breast," unless they have sung a catch. As the disguided Viola, Katharine Hepburn is properly masculine and looks surprisingly young; but her voice-ay, there's the rub. Her delivery is jarring, mechanical, and unintelligent; both she and the director fall even to perceive that the rhythm of "your own most pregnant and voch safed ear" demands that the penultimate word be trisyliabic. Herman Chessid's incidental music is inferior, though his songs are good...

Author: By Caldwell Titcomb, | Title: The Tempest and Twelfth Night | 7/5/1960 | See Source »

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