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John Belushi and Dan Aykroyd, of NBC's Saturday Night and other fame, have released a gem of an album under the guise of the Blues Brothers, an act first spawned to warm up Saturday Night studio audiences a year or so back. Perhaps you have caught a couple of their subsequent appearances on the show, decked out in black suits, fedoras, and shades that would have done a G-man proud (circa 1962). Steve Martin, who guest hosted one show on which the Brothers performed, was sufficiently impressed to ask them to open eight shows...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

...comic appearances (for instance, the gloriously cheesy cover photos), it does not come across like Saturday Night, or Animal House, or even the National Lampoon's Lemmings. The music itself is, for the most part, surprisingly straightforward. With the immediate intention of recording the September concerts, Belushi and Aykroyd took the opportunity to assemble a band of stellar musicians who would back them up in thoroughly professional style. Their collective sound virtually overshadows the few attempts at genuine comedy, although this remains strictly a good-time album if there ever...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

...fantastic. The first high spot is an absolutely perfect version of Floyd Dixon's "Hey Bartender." Belushi snarls, "Hey bartender, hey man, lookie here/Draw one, draw two, draw three, four glasses of beer," as the horn section, arranged by James Brown alum Tom Malone, blasts away behind him. Aykroyd has one of his better harmonica solos, followed by some ringing guitar by veteran bluesman Matt "Guitar" Murphy...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

...especially Steve Cropper, the legendary Memphis session man, producer, and mainstay of Booker T. and the MGs. Belushi smooths out his vocal delivery a bit in "Almost," and Tom Scott of the L.A. Express handles the sax break as the rest of the horn section punches away. Next comes Aykroyd's only solo number, a wonderfully obscure bit of nonsensical babbling called "Rubber Biscuit" which is, believe it or not, quite faithful to the original version. Murphy takes the spotlight in the classic 12-bar "Shot Gun Blues," delivering some sizzling runs as Belushi moans, "I'm gonna take...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

John Wells Norcross 2M, of Boston; Kenneth Barrie Olson 4M, of Seattle, Washington; Charles Rupp, Jr. 4M, of Philadelphia, Pennsylvania; Carlton Remsberg Souders 4M, of Lancaster, Pennsylvania; Douglas Aykroyd Sunderland 2M, of Glenside, Pennsylvania; William Graham Thompson 4M, of Andover; William Louis Wallbank 2M, of New Britain, Connecticut; Henry Stanley Warren 2M, of Melrose Highlands; Meyer Richard Whitehill 3M, of Norfolk, Virginia; Robert Wallace Wilkins 4M, of Greensboro, North Carolina; Robert Ory Wilson 4M, of Pleasant Valley, Connecticut; Hays Richman Yandell 4M, of San Antonio, Texas...

Author: NO WRITER ATTRIBUTED | Title: 34 MEN ARE GIVEN SCHOLARSHIPS IN MEDICAL SCHOOL | 12/10/1932 | See Source »

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