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...season's most savory surprise is English Provincial Cooking by Elisabeth Ayrton (Harper & Row; $16.95). Tradition au contraire ("In England there are sixty different religions, and only one sauce"), well-flavored sauces and gravies have graced English food since the Roman occupation. (Pastry, too, was introduced by Caesar's men.) English cuisine, even more than the French, is most notable for its regional diversities, which Ayrton explores and exalts with expertise and charm. She tells how to confect Wiltshire lardy cake and Yorkshire hot wine pudding, chickens as lizards and rum roast of lamb (for the sailor...

Author: /time Magazine | Title: Books: A Well-Laden Table of Cookbooks | 11/24/1980 | See Source »

...LOEB PRODUCTION of the play does justice to Wycherly's satire, and in general the performers make the most of the barb-tongued dialogue. Director Norman Ayrton has captured the stylized nature of Wycherly's society in the highly stylized but rarely obtrusive things he has his cast do. Touches like the ladies' fans, which they snap open and shut in precise timing with their lines, and the gestures of the fops and dandies underscore the contrived nature of the life Wycherly satirizes. In the first scene, everyone who walks on stage stops to preen in a full-length mirror...

Author: By Joseph B. White, | Title: The Joy of Cuckoldry | 8/11/1978 | See Source »

...director Norman Ayrton's credit that throughout most of the two and a half hours of War and Peace, the historian's illusion of control is sustained. By coloring the play's war scenes with two large slide screens that at times trace Napoleon's progress across the map of Europe and at times stain the background with a dull blood red, Ayrton gives the soldiers' disordered flights a suggestive significance beyond the mere chronicling of events. And by frequently isolating the characters at opposite ends of the stages, Ayrton lends to the few joint tableaux an emotional compression that...

Author: By Diane Sherlock, | Title: Grand Delusions | 3/30/1977 | See Source »

...Ayrton is the invisible force of destiny responsible for the tight, logical progression of the production, then it is the Narrator who continues the director's work after the curtain goes up. Like a commanding general surveying a battle from his horse atop a hill, the Narrator is both involved with and separated from the action. Consistently drawing the lessons to be learned from the playing out of the scenes, the Narrator is the omniscient, controlling eye Tolstoy wished to, but knew he could...

Author: By Diane Sherlock, | Title: Grand Delusions | 3/30/1977 | See Source »

...fate and history at the end of War and Peace which you were always tempted to skip, preferring to have Andrei's death scene with the grieving Natasha at his bedside go on and on? Well, in the adaptation of Tolstoy's epic novel which visiting director Norman Ayrton is staging in the second mainstage slot this season at the end of March, the romantic glow doesn't fade because the moralizing comes first. In the stage version the voice of Tolstoy has been fleshed out as a narrator who in the opening minutes of the play, introduces the characters...

Author: By Shirley Chriane, | Title: STAGE | 2/9/1977 | See Source »

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