Search Details

Word: ayrton (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Pablo Picasso has been the most controversial artist of the 20th Century. He has been praised to heaven (Mexican Painter Diego Rivera: "I have never believed in God, but I believe in Picasso") and damned to hell (British Critic Michael Ayrton: "He is the archangel Lucifer"). He has also been the century's most protean artist, moving vigorously from one new style and outlook to another. Latterly, though still attracting attention, he has produced less & less consternation, largely because the world has got more used...

Author: /time Magazine | Title: Art: Septuagenarian | 10/29/1951 | See Source »

Last week in London, Ayrton, now 30, closed the most successful show of his career: drawings and paintings in somber greys, yellows, and greens of hollow-eyed men, women & children with thin, bony figures and a quality of patient loneliness. "My fundamental interest is human beings," he explains. "The most important moments in life are those which occur when two people feel so intensely related to one another that there is nothing to say. Words being absent, appearance is everything...

Author: /time Magazine | Title: Art: Poor Blighters | 7/9/1951 | See Source »

...Ayrton's best work concerns "the greatest human tragedy, the failure to communicate." In Mirror Image, a young man stares at a silent girl whose unhappy face is reflected in a mirror over his shoulder...

Author: /time Magazine | Title: Art: Poor Blighters | 7/9/1951 | See Source »

...Mute, a sad-eyed man holds out his hands in silent frustration. In The Indomitable Bather, Ayrton catches the humor and pathos of a more familiar subject, "a small boy who finds it bloody cold in the water, but his passionate desire to stay there is greater than the physical discomfort. He feels violently about it, but doesn't say anything, just stands there shivering to death, poor little blighter...

Author: /time Magazine | Title: Art: Poor Blighters | 7/9/1951 | See Source »

Sympathy aside, Ayrton patterns his pictures as rigidly as a tile floor. "There's an abstract under every Ayrton," he says. But his abstractions are well disguised. "I refuse to accept formal equivalents of a triangle for a breast, or two dots for an eye. I have no desire to gouge a hole through a woman's figure. Trouble is I'm so progressive I'm reactionary...

Author: /time Magazine | Title: Art: Poor Blighters | 7/9/1951 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | Next