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...instant boon, drawing in new and younger audiences and allowing more plays to have larger-scale life, some theater leaders fret that they may be doing themselves long-term harm, creating a costly or even unsustainable expectation that every show will have a splash of celebrity. Says Emanuel Azenberg, who produces Neil Simon's work: "The real problems the theater has are not solved by a momentary sense of breath that the stars bring us." Instead of thinking about how to cut costs and reach a broader audience, producers who employ stars typically have to accede to higher salaries...

Author: /time Magazine | Title: Give My Regards To Malibu | 3/30/1992 | See Source »

...lovers miss terribly and want back. "We are in an era of high school production numbers and arias set to a backbeat," says Jule Styne, who wrote songs for five Robbins musicals. "A lot of people will see this show and realize what they've missed." Co-producer Emanuel Azenberg must hope so too. "Shows that have been successful lately are just not for me," he says. "Then I see the suite of dances from West Side Story, and tears are coming. I realize that my values are not so cuckoo -- this was good. You walk out of the theater...

Author: /time Magazine | Title: Jerome Robbins: Peter Pan Flies Again | 3/6/1989 | See Source »

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