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...dust procedure. Mr. Mitchell insists, too categorically for such cautious Americanists as Philip Means (Ancient Civilization of the Andes'), that wandering Polynesians or Chinese, in search of "life-givers" such as gold, landed somewhere along the coasts of South or Central America to bring culture to the Aztec, Inca and Maya Indians of the New World. He seeks to clinch his point by comparing Mayan architecture and sculpture with the buildings and statues of Egypt, Babylonia, India and Angkor-Vat in French Indo-China. The Mayas of what are now Guatemala, British Honduras and Yucatan, he says, could never...

Author: /time Magazine | Title: Books: Pre-Columbian Culture | 2/4/1935 | See Source »

...Mitchell lays about him with such infectious vigor that one almost forgets that other archeologists who are interested in the cultures of pre-Columbian America are still agnostic about the origins of the Inca, Aztec and Maya Indian civilizations. And if one looks at a map of the world, one is struck by the vast distances between outposts of Polynesia and America, between Easter Island and Chile, between the Hawaiian Islands and Mexico. Could Polynesians or Chinese, in their small boats or canoes, have traversed such forbidding stretches of water to bring a god of Egyptian origin to Yucatan...

Author: /time Magazine | Title: Books: Pre-Columbian Culture | 2/4/1935 | See Source »

...warrior President of a nation of warriors General Cárdenas has named the son born to him last May after the last Aztec warrior Emperor of Mexico, famed Cuauhtemoc...

Author: /time Magazine | Title: MEXICO: New and Square Deal | 12/3/1934 | See Source »

...Dante, and the drama from Aeschylus to Shakespeare. . . . Through these murals a New England institution has allowed a Mexican painter to satirize English-speaking traditions, spiritual, educational and academic, while forcing on the college the extremely tiresome traditions of an alien and somewhat abhorred civilization of the Toltec-Aztec cults. . . . The spectacle of New England students being expected to revere Tezcatlipoca, the Toltec divinity who was the patron of college students, with side glances of horror possibly at Huitzilopochtli, the war god . . . is probably one of the most amazing if not amusing spectacles ever presented to American college life...

Author: /time Magazine | Title: Art: Dead from the Dead | 9/17/1934 | See Source »

...fugitives who are captured are disposed of by the "horse torture." Servants bury them alive so that only their heads show above ground, then ride over them till they are mashed to death. This wild chronicle-a combination of radical propaganda and old-fashioned "Western"-starts with shots of Aztec ruins, ends with shots of an idealized modern Mexico, symbolized by Mexico City University students in their football suits. It would be undistinguished were it not for the fact that the photography-for which Director Eisenstein and his Camera Man Edouard Tisse were equally responsible-is superb. Critics, esthetes...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 2, 1933 | 10/2/1933 | See Source »

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