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...lambada is especially hot along the Cote d'Azur, where touring Brazilian dancers are showing French vacationers how to thrust their stuff. But is the lambada just this summer's hype? "It will become a classic," declares singer Loalwa Braz. "And it will be even more agreeable to dance in the winter. It's a way to keep warm...

Author: /time Magazine | Title: France: Dirty Dancing, Ma Cherie? | 8/21/1989 | See Source »

...work, although he certainly does not feign his calm. He finds the world too enjoyable to be detached from it. Life in Southern California (and a durably happy marriage, now in its 46th year) has had the same kind of stabilizing effect on Diebenkorn that the Cote d'Azur did on his great mentor, the subject of his most impassioned reflections, Matisse. This is apparent in Diebenkorn's figurative drawings of the '60s, and transparently clear in the Ocean Park abstractions from landscape that absorbed him from 1970 through to his move from beachside Santa Monica to Sonoma County earlier...

Author: /time Magazine | Title: Art: Richard Diebenkorn's Drawings, The Decisive Line of a Master | 12/12/1988 | See Source »

...Palais des Festivals. But the yacht's ceilings were too low to accommodate his 6-ft. 4-in. frame, even when he stooped, and Hollywood's most statesmanlike hunk endured a week's worth of cricked neck. Such are the sacrifices that art exacts in a Cote d'Azur Disneyland...

Author: /time Magazine | Title: Show Business: Clint, Brits And Kids at Cannes | 6/6/1988 | See Source »

...Philadelphia. Eleven years and countless boxes of popcorn later, he viewed Ingmar Bergman's The Seventh Seal and was struck by the realization that films could be more than mere entertainment. That marked the beginning of a fascination with the cinema that took Corliss to the Cote d'Azur to report this week's two-page Show Business story on the Cannes Film Festival...

Author: /time Magazine | Title: A Letter From the Publisher: Jun. 1, 1987 | 6/1/1987 | See Source »

Then, as if cued by Stephen King, the wicked witch showed up in this fairy- tale resort on the Cote d'Azur. The creature arrived in the ursine form of Maurice Pialat, critically the most revered, personally the most reviled, of France's movie auteurs. A few days before, he had shown his new movie, Under the Sun of Satan, a stately adaptation of the Georges Bernanos novel about a self-torturing priest (Gerard Depardieu); its directorial style fell somewhere between rigor and rigor mortis. And now Yves Montand, president of this year's festival jury, was announcing the award...

Author: /time Magazine | Title: Show Business: Assault of The Movie Cannibals | 6/1/1987 | See Source »

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