Word: b-flat
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SUMMER SCHOOL CHORUS CONCERT. The 110-member Harvard Summer School Chorus presents choral masterworks accompanied by a professional orchestra and soloists. Under the direction of Constance DeFotis, the chorus will perform Mozart’s Mass in C-Minor and Schubert’s Mass in B-Flat Major. Friday, August 1 at 8 p.m. Free; limit 2 tickets per person. Available through the Harvard Box Office. Sanders Theatre...
...last round of the 1993 competition was dominated by Rachmoninoff concertos, but Taylor impressed the judges with his interpretations of the Brahms concerto in B-flat major and Bach’s concerto in d minor, and received wide acclaim for the resulting recording. He saved Rachmaninoff for an encore, when he played the “Etude-Tableau...
Boston listened when the piano trio began playing Franz Schubert’s Piano Trio in B-flat in the stately Cabot House Living Room yesterday afternoon...
...Beethoven String Quartet in B-Flat Major, Op. 18 No. 6, showcased the quartet's bright sound and vivacious spirit in several allegro movements, while the Prokofiev String Quartet No. 2 in F Major, Op. 92, provided a dynamic and powerful contrast. The Prokofiev was quite accessible to the casual listener, incorporating folk melodies and stirring emotional themes. The peaceful, melancholic Brahms String Quartet in C Minor, Op. 51, No. 1, beautifully demonstrated the quartet's skill at intricate interplay and musical lyricism. The concert concluded with a crowd-pleasing arrangement of Aaron Copland's "Rodeo" for String Quartet...
...B-flat minor Scherzo, the piece used by that eerie little Russian girl to intimidate Richard Dreyfus in "The Competition," came off worse. Its main weakness was lack of dynamic range--or rather, lack of sensitive dynamic range, as one tended to be awed by Zimerman's ferocious key depth without forgetting the harsh sounds it sometimes produced. A stricter observance of tempi would also have been in order; this was Chopin, not Debussy. In any case the risks he took at high speeds were admirable, and his confident, blind leaps across three octaves are a reproach to showier pianists...