Word: b-side
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...lead singer Maynard James Keenan, the scary-eyed tortured soul who has wailed for Tool over the past decade. Keenan may have the most recognizable voice in hardcore and indeed, "Judith," the first track of Mer de Noms, sounds like it was ripped straight from a long-lost Aenima B-side. Tool fans will be happy (well, as happy as Tool fans can be) with this album, as they have been starved of new music from their favorite brand of darkness since 1996, but they will notice differences. For one, composer and lead guitarist Billy Howerdel is less crunching...
...have to go to Newbury Comics to buy the latest Phish CD...” OR “God, I hate Patagonia—my Northface fleece is so much doper than that shit...I’m going to a hip hop concert later at the B-Side Lounge. Wanna come?...I snagged my Stussy pants on my longboard today. It was the worst...
...After an unnotable opening DJ set by DJ Genaside 2, things started off with "Anti Histamine," a B-side that started off as a remake of Blondie's "Heart of Glass." While the chorus was still recognizably Blondie, the song was transformed into a bruised industrial stomp. Tricky's numerous remakes proved to be the high points of the evening. Among the crowd pleasers was "Black Steel," which turned Public Enemy's classic "Black Steel in the Hour of Chaos" into full-bore rock, and, what's more, made white kids from the suburbs dance to it. Tricky ended...
Where else could I proudly say I have met the person I believe will be president in 2040? If I had ventured too far off-campus (excepting the regular visits to the Middle East, and goodness, I hope you all have been there, at least to see B-Side), would I have been able to participate in an extended conversation on grammatical construction of the phallic fallacy of symbolic fecundity...
...that a wrestling match brilliantly coordinated by lighting designer Ryan McGee and set designer Sarah Knight '00 to resemble a pep rally from Hell, a shlocky interactive wedding (with, admitedly, an infinitely-better-than-average wedding band performance by Harvard's own B-Side), and the show's pinnacle--a hilarious gender-bending, mimed depiction of Elsa and Lohengrin's wedding night (performed with just the right mix of sincerity and tounge-in-cheek self-awareness and down-right bravery by Jordin Ruderman and Joseph Subotnik '00) and you'll begin to understand the aesthetics of King Kong...