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...this as simply as the film does: A man named François Marin (François Bégaudeau) teaches - or tries to teach - French to 14- and 15-year-old students in a coldly modern school in Paris. His classroom is not quite a blackboard jungle, but it does contain a marginally middle-class, ethnically mixed, psychologically fractious group of kids, who constantly challenge him with their lolling indifference, their angry outbursts, their perpetual edge-of-insolence attitudes. To be honest, we do not witness very many heartwarming pedagogical triumphs in director Laurent Cantet's The Class, which...
...year’s party, Business School spokesman Brian Kenny repeatedly refused to cite specific examples of belt-tightening measures. “This isn’t a competition between schools to see who can cut back the most,” Kenny said.—Christian B. Flow, Athena Y. Jiang, and Nini S. Moorhead contributed to the reporting of this story.—Staff writer June Q. Wu can be reached at junewu@fas.harvard.edu...
...Staff writer Victoria B. Kabak can be reached at vkabak@fas.harvard.edu...
Coleman’s class fulfills the Core’s Historical Studies B requirement, and Engell’s course counts toward the Literature and Arts A category...
Three other classes—Literature and Arts B-78: “Soundscapes: Exploring Music in a Changing World,” Literature 10: “Writing Across Cultures: Literatures of the World (To 1750),” and Literature 11: “Writing Across Cultures: Literatures of the World (From 1750 to the Present)”—have been revamped to fulfill the Aesthetic and Interpretive Understanding requirement...