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...jockey, who won the Kentucky Derby three times, the Belmont Stakes five times in the 1920s and early '30s; of heart disease; in Jacksonville, Ore. Celebrated as that "handy guy Sande" by Damon Runyon, the spruce, sharp-tongued rider earned a place in sport's pantheon alongside Babe Ruth, Jack Dempsey and Bobby Jones. He won 967 races and nearly $3,000,000 in purses before retiring...

Author: /time Magazine | Title: Milestones: Aug. 30, 1968 | 8/30/1968 | See Source »

...firm is still called, is not universally admired in the music field. When Drake proclaims a hit-bound choice, the prophecy is often self-fulfilling because he controls so many successful stations. But the hits he creates, such as Sonny and Cher's I Got You, Babe and The Monkees' Last Train to Clarksville, can seldom be described as creative new works. A Los Angeles underground paper called Drake "a monument to public tastelessness." For better or worse, Drake is going to have more influence before he has less. Next month 21 new client FM stations will receive...

Author: /time Magazine | Title: Programming: The Executioner | 8/23/1968 | See Source »

Long before he prowled the celluloid jungles, Johnny ("Tarzan") Weissmuller was a national hero. To swimming idolaters of the 1920s, the faces of Babe Ruth, Red Grange and Paavo Nurmi paled before the image of the bronzed, high-cheekboned champion. Sportswriters later acclaimed him as the out standing swimmer of the first half-century, and rightly so. When he retired in 1929, Weissmuller held every freestyle record from 100 yds. to the half mile. And who could forget his showing in the 1928 Olympics, when he devastated his own Olympic 100-meter mark in the breathtaking time...

Author: /time Magazine | Title: Swimming: Tarzan v. the Tads | 8/16/1968 | See Source »

...happy and enthusiastic opening-night audience quickly succumbed to the magic. And, when all ended, it was I suspect the magic that those people remembered, not exactly the play they had seen performed. Verse plays aren't noted for evoking mass gut reactions. The ambitious and verbally complex Mayer-Babe adaptation gets a little lost in the tempest nightly at Agassiz, and that's not to say that the play is weaker than its dazzling production. A Tim Mayer and (to a lesser extent) a Thom Babe show is like a great big present; there's so much of this...

Author: By Tim Hunter, | Title: Everyman | 8/16/1968 | See Source »

...record, Mayer and Babe have updated and rewritten the 15th century morality play to make the allegory relevant and accessible to the audience of 1968. A tired and neurotic God often hidden behind an American flag looks down on an illusion-ridden, somewhat desperate, party below. He is flanked by Death, dressed as an English gentleman (or perhaps the perfect butler) on his right and the best blues band in Cambridge down-stage in front of him. Everyman, rich, irreligious, and self-satisfied, is approached by Death while making love to Beauty his mistress (Tommy Lee Jones rattles...

Author: By Tim Hunter, | Title: Everyman | 8/16/1968 | See Source »

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