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...Ararat. D.M. Thomas has set out to prove that dictum. In The White Hotel, his collaborative efforts were a critical and popular success. That novel began as an ingenious imitation of a case history by Freud, then moved to an account of the Nazi massacre of Jews at Babi Yar, originally written by a Russian novelist, Anatoli Kuznetsov. But what was an effective device in The White Hotel has become a conceit in Ararat. The density of literary allusion in Thomas' latest novel has rendered it virtually unintelligible...

Author: /time Magazine | Title: Books: Collaborations | 4/25/1983 | See Source »

...White Hotel connected these themes with a pulse all its own, Ararat, like the Armenian landscape from which it is drawn, is a much drier work. The tremendous stream of poetry in The White Hotel, the sexually surreal "Don Giovanni" portion as well as the deafening violence of the Babi Yar testimony, collaborated to overwhelm the reader. This sensory overload created a flow or wave of feeling, which after it had receded, left the reader feeling a part of the world which he had just experienced--the world of Freud and the Holocaust...

Author: By Kathleen I. Kouril, | Title: Telling the Infinite Story | 4/16/1983 | See Source »

...White Hotel by D.M. Thomas. A dark age revolves around the solitary figure of a woman analyzed by Sigmund Freud and later killed by the Nazis at Babi...

Author: /time Magazine | Title: Fiction: Best of 1981: Books | 1/4/1982 | See Source »

...fictional life, Lisa Erdman, a modestly talented opera singer of Polish and Ukrainian descent, is forced to make two journeys that propel her around the perimeter of 20th century imagination. She is treated for sexual hysteria by Sigmund Freud in Vienna and, years later, murdered by Nazi soldiers at Babi...

Author: /time Magazine | Title: Books: Beyond Pleasure and Pain | 3/16/1981 | See Source »

...Soviet city of Kiev, the group stood at Babi Yar, where during two years of Nazi occupation some 80,000 Jews were killed and thrown into a mass grave. Here a stark sculpture of monumental figures rises from a knoll. But the only evidence that Jews died here were the Hebrew words from Job, "Earth do not cover my blood," on the memorial wreath presented by the commission. Oddly, it was two non-Jews who did most to recollect the past. In his great poem, Babi Yar, Yevgeni Yevtushenko reminded his countrymen back in 1961, "I stand terror-stricken. Today...

Author: /time Magazine | Title: THE HOLOCAUST: Never Forget, Never Forgive | 8/20/1979 | See Source »

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