Word: bacchus
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...three galleries for the last two months is Mrs. Eugenia Janis's Ph.D. dissertation in visual form. The Fogg's 1966 Art Nouveau exhibit was a project for Coolidge's graduate seminar in art museum problems. A grad student made a slide-tape presentation of Poussin's "Birth of Bacchus" and two are now making a movie of Rodin's "Burghers of Calais," starting from the collection of Rodin sculptures left to the Fogg by Grenville Winthrop. In 1965, a graduate student named Michael Fried wrote the introduction to the catalogue of the Fogg's 1965 Noland, Olitski, and Steela...
Their 1st century marble Bacchus was a natural for their modern atrium, but their love of the moment happens to be minimal sculpture. Scull first has wood models made, then shifts them from place to place. Sometimes he discovers delightful juxtapositions: Robert Morris' painted-aluminum square handsomely frames Mark di Suvero's tangled wood; after dark, Ben Berns' blue neon looks like a strange and lovely firefly among the hemlocks...
...water averaged 25 feet, the famous Cimabue Crucifix was submerged and almost completely destroyed, the Domenico Veneziano fresco of St. John the Baptist and St. Francis was streaked with heating oil, as were the Tadeo Gaddi Last Supper and other frescoes, including the important fragments by Orcagna. The Bacchus, the Brutus and Pitti Madonna of Michelangelo in the Bargello Museum were also badly streaked with...
...London. The hearty Falstaffs of Franc-Pineau, a winegrowers' organization devoted to the promotion of happiness, were initiating new members into their jolly ranks. Alack, they had one joiner whose visage no vintage could sweeten: Oillionaire J. Paul Getty, 73. Beside him, U.S. Admiral Charles Griffin looked like Bacchus in his ceremonial garb. Poor Paul looked like Robin Hood with heartburn...
...Agony and the Ecstasy opens with a prologue celebrating the magnificence of Michelangelo Buonarroti's most famous sculptures: the David, Moses, the Pieta, Bacchus, the Medici tomb figures. It makes a splendid beginning. And even for the shrewdest caterers to popular taste, an act like Michelangelo's is hard to follow. What does follow in this solemn, princely spectacle -drawn by Director Carol Reed and Scenarist Philip Dunne from Irving Stone's low-to-middlebrow biography-shows every evidence of great effort, but the achievements are spotty...