Word: bach
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Dates: during 1870-1879
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...programme at the third recital consisted of two movements from a Suite of Bach's; Sonates op. 31 and op. 110 by Beethoven; Nocturna op. 37 in G Major, and Tarentelle, by Chopin. The two Chopin numbers were very characteristic, especially the Nocturne; in fact, we know of no other single composition in which the peculiar and almost unique beauty of this thought is so clearly marked. This number was encored, and during the few seconds of applause certain men of '82 manifested an astounding desire to warm the hands. Mr. Paine's performance impressed us as notably conscientious...
...Boylston Hall. Before beginning his programme, he spoke briefly of the origin and development of instrumental music and of the Sonate form in particular giving the reasons for the number and sequence of the movements as well as the order of their component parts. His programme consisted of Bach's Italian Concerto in F major; Sonate Pathetique and Sonate op. 109 by Beethoven; Impromptu in G b major and Nocturne in E major by Chopin; and the Hunting Chorus from Mendelssohn's Songs without Words. The programme was one alike interesting in representing the evolution of instrumental music and strong...
PROFESSOR PAINE gave his first piano recital in Boylston Hall last Wednesday evening. His programme was as follows: Selections from Byrd and Paumann; Suite in G minor, Bach; Nocturne, Op. 15, Chopin; Sonata No. 1., Op. 2, in F minor, Beethoven; Romanza, Schumann; selection from Songs without Words Mendelssohn; Moonlight Sonata, Beethoven. The next recital will be given on Tuesday evening...
...have kept for special mention in the place of honor, the name of Mr. Finck. His 'cello solo "Legende" was by far the most artistic work of the evening. It is not for us to criticise, but only to say how much we all enjoyed his playing. The Bach Gavotte that he gave when encored was charming...
...Prelude. b. Choral. c. Organ Fugue in G minor. Adapted for Orchestra by J. J. Abert...................BACH...