Word: bach
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Dates: during 1930-1939
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...program. Conductor Sergei Alexandrovitch Koussevitzky anticipated the opening with a superb radio concert, planned his actual return for the season's second week. Scheduled for the winter are the premieres of many contemporary works, a Beethoven Festival to be given in Washington through the first week in December, a Bach Festival in Boston in March...
...band season an attempt is made to get a full orchestra together. Pieces that will be played at coming concerts are For full orchestra Symphony No 7 by Mozarf. Overture to "Rosamunde" by Schubert. Norwegian Dances by Grieg. Suite for orchestra by Paul Hindemith (modern). For string orchestra Bach's Violin Concerte in E. major with solo violining played by M. H. Holmes 3G assistant conductor of the orchestra accompained by string orchestra. Covelli's Concert Crosse No 8 for string orchestra and a triple concerto for two violina and a cello, and the "Capriol" Suite for string orchestra...
...program for the regular school and local concerts. In addition to these latter appearances it is expected that the combined choruses of Harvard and Radcliffe will present Hill's "Ode" on other occasions during the year. The Club will soon devote its energies to the preparation for the Bach festival series to be given in March with the Boston Orchestra. The most important undertaking will be the Bach B-minor Mass...
...concerts already scheduled for this season include the Bach B-miner Mass, to be given in conjunction with the Boston Symphony Orchestra and the Radcliffe Choral Society, a concert at Smith College on May, 2, 1931, and the annual performance preceding the Yale game. Plans for inferred four to the Middle West are being made for the yearly spring trip...
...might be more effective if halved, with fewer thematic repetitions, or conversely, expanded into a full-length, Neo-Wagnerian opera as Coates first intended to do. Bold or brave was he to introduce his work on the same night with such magna opera as Respighi's orchestration of Bach's Passacaglia and Fugue, Strauss's ghastly, gay, Till Eulenspiegels...