Search Details

Word: bach (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Currently the Hi-Lo's are looking high and low for new material, are even experimenting with arrangements of classical music. "There is no reason," says Arranger Puerling, "why four voices can't do Air on the G String by Bach. It's not sacrilegious...

Author: /time Magazine | Title: Music: Up from the Barbershop | 6/17/1957 | See Source »

...music. Along with the big technique and virile style, Lipatti had a remarkable ability, as his teacher Nadia Boulanger noted, to "see better and hear more than we do." In the present, excellent Angel recording, there are few traces of the deadly strain under which Lipatti played. His Bach Partita No. 1 is as coolly articulated and elegant as a jeweled clock, and his Mozart Sonata No. 8 in A Minor (K. 310) seems the reflection of an absorbed and unruffled musical mind. Only an occasional slurred passage in the Chopin waltzes hints at the ordeal at the keyboard...

Author: /time Magazine | Title: Music: Lipatti's Last | 6/10/1957 | See Source »

Also, the Bassoon. In the 1956-57 season, Piatigorsky has traveled 60,000 miles concertizing all over the world. Recently, he finished recording three Beethoven trios with Jascha Heifetz and William Primrose, and he has been invited to record Bach's six Unaccompanied Suites, long identified as a specialty of ailing Cellist Pablo Casals. Next season Piatigorsky will take a "sabbatical" to pursue two of his other interests-oceanography ("You know what oceanographers do on their vacation? They go in the water") and lizard and snake collecting ("It's extraordinary how intolerant people are about snakes"). But there...

Author: /time Magazine | Title: Music: Grischa & Sir William | 5/13/1957 | See Source »

...Bach's cantatas are the backbone of his work, and to my mind the finest body of music ever written. Using almost every conceivable combination of soloists, chorus, and orchestra, the cantatas are varied in instrumentation but maintain an astonishingly high quality. More than 200 survive, but they are played all too infrequently, and it was a real pleasure to hear Cantata No. 32, for soprano, bass, oboe, and strings...

Author: By Stephen Addiss, | Title: The Bach Society Orchestra | 5/8/1957 | See Source »

...Bach, the recitative was not merely an easy way to eat up text and set the key for the next aria, but an integral part of the musical fabric. The founder of the Orchestra, Michael Greenebaum, was on hand for the concert, and he must have been pleased to hear it giving fine performances of such great music...

Author: By Stephen Addiss, | Title: The Bach Society Orchestra | 5/8/1957 | See Source »

Previous | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | Next