Word: bache
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Dates: during 1920-1929
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...Josef Hofmann's age at his piano debut and Nellie Melba's when she first sang to Melbourne, Australia. Handel was skilled on the organ, Meyerbeer on the piano, Schumann at composing, Kreisler and Joachim on the violin, at 7. Eight-year-old Ottavio Gallo (above) has Bach and Paganini as precedents for his precocity. Chopin, Liszt and Rimsky-Korsakov were first famed as nine-year-olds. Mendelssohn, Schubert, Stravinsky and Boomfield-Zeisler waited until they were 10 before startling the music world; Beethoven, Saint-Saens and Florence Easton, until they were 11. Tetrazzini trilled at 12. Jenny...
...program follows: Harvard Hymn Paine Come, Thou, Oh, Come Bach Glorious Apollo Webbe O Isis and Osiris, from "The Magic Flute" Mozart Soloist: J. E. Gurney Give a Rouse Bantock The Turtle Dove Arranged by Williams Soloist: W. C. Atwater Four Choruses from "Patience" Sullivan College Songs...
...program is as follows: Chromatic Fantasie and Fugue Bach Sonata in A-flat major, op. 26 Beethoven Andante con Variazione Scherzo March Fannebre sulla Morte d'un Eroe Rondo. After an intermission he will play: Two Etudes, Op. 25 Chopin No. 7, C sharp minor No. 9, G flat major La Solree dans Grenade Debussey Ravel Valee Nobles et Sentimentales Nos. 1, 2, 3, 4, 7. Flirtation in a Chinese Garden Abram Chasins Caprice Espagnol Mosskowski
...annual Harvard Club of Boston concert will be given on Sunday afternooon at 4 o'clock. The program for the two concerts follows: I. Fair Harvard II. Darest Thou Now, O Soul Williams Come, Thou, Oh, Come Bach An Easter Hallelujah Vulpius Ave, Verum Corpus Des Pres III. Glorious Apollo Webbe Two Choruses and Ballet from "Orpheus" Gluck O Isis and Osiris from "The Magic Flute" Mozart Four Choruses from "Patience" Sullivan IV. The Nightingale Tchaikovsky The Hundred Pipers Arthur Whiting How Beautiful are the Feet from "The Messiah" Handel "The Messiah" Handel...
Said Ubiquitous Critic Mencken: "Very few of the immortal creators have escaped periods of neglect and contumely. Shakespeare, as everyone knows, was regarded as a second-rater during part of the 18th Century, and various imbeciles set themselves to the job of editing and improving him. Even Bach had his twilight, and it took a Mendelssohn to rescue him. But only fools have ever questioned the mightiness of Beethoven-and not many fools...