Word: bache
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Dates: during 1960-1969
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...memoirs are part of what is rapidly becoming Abel's own five-foot shelf of recollected life and works. In a recent interview published in the Russian youth magazine Smena, he describes the gracious pastimes that a KGB colonel like himself engages in during his spare time: playing Bach on the lute and the classical guitar, landscape drawing. Abel's most productive leisure hours were apparently spent in U.S. penitentiaries while serving 41 of his 30-year sentence for espionage. Here, he claims, he sketched a portrait of President Kennedy so fine that Attorney General Robert Kennedy asked...
GEORGE FREDERICK HANDEL was a prodigal master, an adaptive musical fountainhead who composed vast quantities of epic choral dramas, superb operas, incidental and instrumental works. His creative fertility was so prodigious that his 97 volumes of autographs exceed the combined complete works of Bach and Beethoven. Although a contemporary of Corelli, Vivaldi, Scarlatti, and Telemann. Handel beggared their combined achievements with his limitless genius. Yet while the scope of Bach, Handel's only contemporary equal, is now fully grasped, the boundless wealth of Handel has been reduced to one or two operatic arias, a couple of organ concertos, the Water...
...Bach Society Orchestra's programming of two of the Opus 6 concerto grossi was a welcome step into the edifice of Handel's creations. The set of twelve concertos comprise the finest English instrumental music written until this century. There can be no doubt that Handel, although born in Saxony and raised on Italian opera, is a thoroughly English composer. He arrived in London during the interregnum left by the death of Purcell in 1695 and the first works of Thomas Arne twenty years later. By 1710 Handel had subsumed into his Italianate idiom the brilliant scoring, deep love...
...BACH SOCIETY had considerable difficulties with the first of the concerto grossi, which was hampered by dynamic monotony, struggling second violins, inaudible violas, and a methodical trio of soloists. All of these problems unhappily converged in the second and fifth movements. Miss Lisa Sandow, the first solo violin, and Miss Ruth Rubinow, the solo cello, rivalled each other for tonal monotony and absolute abandonment of nuance. Miss Janet Packer, the second solo violin apparently sensed this lackluster playing and performed with considerable artistic concern. The second concerto, distinguished by a beautiful first movement, fared much better with Tison Street...
Despite several solvable problems, the Bach Society Orchestra is a delightful ensemble. Unpretentious, committed to an absolutely essential and shamefully neglected part of the orchestral repertoire, and capable of excellent work, the Society is unquestionably the equal of any musical organization at Harvard...