Word: bache
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Dates: during 1960-1969
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...Inside Bach. If any message surfaces from Columbia's far-out stockpile, it is simply that today's musical world spins through healthy confusion. While some composers have chosen to cut themselves off from the familiar sounds of instruments in favor of microphones and amplifiers, others-Lukas Foss, Gunther Schuller and the Russian Edison Denisov-find within orchestral resources the means for flying just as high. Denisov, the first composer from the recently surfaced Russian avant-garde to find his way to records, builds his six-minute Crescendo e Diminuendo by offering the conductor a series of short...
...Band shared the program with a group officially known as the Harvard Wind Ensemble, comprised of one or two Band members and the star winds from the HRO and Bach Society. Here there is no problem of multiplication of mistakes through numbers, and the group certainly contains some of the university's best wind talent...
...balance; the brass and the percussion were the respective offenders. Intonation in the Haydn was poor. Accompaniment figures in the violas were almost polytonal, and in spite of stalwarts like Street, Lisa Sandow and Richard Hamm, the strings evinced the same raw amateur sound that has plagued the Bach Society for years. Only in the humor of the finale's coda did the work manage to come alive...
People usually come to hear the HRO parti pris, but Friday night the orchestra surprised even its most faithful adherents. The first movement of the Beethoven exhibited a string section that was competent and solidly in control despite purported despoliation by this year's Bach Society Orchestra. Under conductor James Yannatos, the orchestra played with just the right kind of classical clarity and transparence. These qualities are more difficult to master than the rhythmic complexities of contemporary music or the pyrotechnics of late nineteenth-century orchestral style. All the elements which are so important in Beethoven--dynamic contrast, elegance...
JOAN (Vanguard). Joan Baez, with her arranger Peter Schickele (of P.D.Q. Bach fame), has provided one of the most satisfying recordings of the year. She sings songs by some of today's greatest poet-musicians, most of whom are actually-and inaccurately-typecast as rock singers: McCartney and Lennon's Eleanor Rigby, Paul Simon's Dangling Conversation, and Tim Hardin's If You Were a Carpenter. But a French song, titled La Colombe (The Dove), provides the most haunting impact, for it is a beautifully put plaint against the slaughter of wars...