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Word: bache (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Frock Coats & Turbans. In its permutations, the San Francisco Sound encompasses everything from bluegrass to Indian ragas, from Bach to jug-band music-often within the framework of a single song. It is a raw, raucous, rough-hewn sound that has the spark and spontaneity of a free-for-all jam session. Most of the groups write their own songs and, unlike most rock 'n' rollers, improvise freely, building climax upon climax in songs that run on for 20 minutes or more. It is a compelling entreaty to open up, tune in and turn on. Says one regular...

Author: /time Magazine | Title: Rock 'n' Roll: Open Up, Tune In, Turn On | 6/23/1967 | See Source »

...possessiveness with regard to personnel, resisting their involvement in any other organization or activity. Equally famous is the hauteur of the Glee Club which, as one member put it, is as much Club as it is Glee; or of WHRBies who walk around wearing "Mozart Forever," and "Back to Bach" buttons but who never deign to attend concerts, in the apparent belief that music produced by plastic discs and dials and buttons is superior to that of live performers...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

...Radcliffe Music Club. Considering the near-universal interest and participation in musical activity at Harvard, there is really no need for an organization with as catholic pretensions as a title like that would indicate. At this point, the Music Club is little more than the administrative arm of the Bach Society Orchestra. In the face of the existence of another orchestra and a spontaneously active musical community, the Music Club this year sought to justify its existence by assuming a character of unbearable insularity and a more-musical-than-thou arrogance that was entirely unjustified, unnecessary and possibly even harmful...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

...productions. Last year there were productions of Stravinsky's L'Histoire du Soldat. Mozart's Don Giovanni and Britten's The Turn of the Screw: this year it was hard to decide whether to be more impressed by Leverett's production of The Marriage of Figaro or the Bach Society-Music Club concert performance of Fidelio. The more ambitions these projects become, the more time, money and professional assistance are necessary to carry them off. Sometimes one of these works is lucky enough to get the intensive study and careful preparation is deserves, as in the case of Figaro. Occasionally...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

...produced at Harvard--moving, meaningful and exciting music. Participation in musical activities is immense, and most of it is sincere and wholly admirable. Enthusiasm and native musicality are hardly ever lacking, and programs often exhibit an ingenuity and esprit that would be hard to find elsewhere. Leverett's Fall Bach and the Beatles production and the Music Club's all-Ives concert are prime examples of music here at its intelligent best...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

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