Word: bache
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Dates: during 1970-1979
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...mirror to music--tracing its form with a mind to undermining its content--is what Kramer does as well in "Haiku." Sitting on stage, cellist Ron Heifetz bows the trills of a Bach suite to no more than a half-dozen dance motifs. The choreography is skeletal, easily divisible into separate parts, and echoes the simplicity of the music's deep-down design...
...afternoon of chamber music, performed by students from Music 180. Works by Berg, Bach, and Brahms. Holmes Hall, North House...
...finale of the Brahms work provided a fitting conclusion to the Bach Society's year and to Stulberg's career as its conductor. Both the orchestra and the audience responded enthusiastically to the resounding final chords of the piece, sharing the poignantly conflicting feelings associated with the end of an outstanding year. In its technical polish and emotional fervor, the performance of the Brahms was emblematic of the Bach Society's season...
...evening began with a joke. Seven members of the orchestra played the Schleptet in E flat, S.O., by musicologist Peter Schickele, more familiarly known as P.D.Q. Bach (1807 -- 1742), the last and the least of Johann Sebastian's sons. Satirizing serious music, the Schleptet demands a wide range of comic effects, including a nose-dive by the French horn player, which sends fragments of a collapsible horn sailing across the stage into the audience, and woodwind burps usually reserved for a beginner's practice room...
After the intermission the orchestra seemed revitalized as they accompanied Sheila Reinhold, a special student, in a stunning performance of Prokofiev's Violin Concerto No. 2. Stulberg and the Bach Society nimbly handled the complicated rhythms. Even during tutti passages the group never covered the soloist. Gliding through frequent changes in mood from sad to satirical, Reinhold maintained complete control. She demonstrated an exquisitely pure tone amidst the large intervallic leaps which Prokofiev loved to inflict on musicians...