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Word: bache (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

This a cappella piece consists of three different songs based on Bible texts taken from Psalms, Luke, Matthew and Deuteronomy. Each section has a distinctive feel, and in sequence they seem to trace the history of Brahms' own musical influences: From Handel and Bach in the first section to painfully beautiful dissonances in the second section, then segued into a characteristically Romantic polyphonic style for the last section...

Author: By Jamie L. Jones, | Title: Hats Off to Brahms: A Musical Tribute | 4/24/1997 | See Source »

...television appearances James Galway has come to be known as one of the most beloved performers in the world. His training is unparalled: he studied at the Royal College of Music, the Paris Conservatoire and with acclaimed flutist Marcel Moyse. His repertoire stretches across all categories of music, from Bach sonatas to progressive jazz to folk songs of his native Ireland...

Author: By Jamie L. Jones, | Title: Peculiar Partners: The Piper and the Pops | 4/3/1997 | See Source »

...Bach Concerto in D minor for Harpsichord and Orchestra was an intriguing piece, evoking dark Transylvanian images through the spidery tone of the harpsichord and imperceptible shifts from major to minor keys. Soloist Ian Watson performed superbly, though it seemed there were a few intonation problems in the high register of the harpsichord...

Author: By Jamie L. Jones, | Title: Academy Concert Sounds Larger Than Life | 3/13/1997 | See Source »

...last piece, Bach's famous Brandenburg Concerto No. 5 in D Major, featured Iona Brown on violin, Jaime Martin on flute, and Ian Watson on harpsichord. It was a charming, polished piece to end the concert, with hypnotic rhythms and fascinating fugal patterns...

Author: By Jamie L. Jones, | Title: Academy Concert Sounds Larger Than Life | 3/13/1997 | See Source »

...level of communication between performer and listener in gestures such as the encore to the Orchestral Suite hearken directly to the roots of Bach's music. While in Symphony Hall it is somewhat difficult to conceive of the intimate surroundings in which Bach's and Handel's music was originally performed, the Academy succeeded in decreasing distances and blurring the boundaries between stage and audience. In the end, both shared a euphoric experience. The Academy of St. Martin-in-the-Fields reminds one that classical music is not meant to be a stodgy highbrow event, but a form of exchange...

Author: By Jamie L. Jones, | Title: Academy Concert Sounds Larger Than Life | 3/13/1997 | See Source »

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